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Jordi Savall - Venezia Millenaria 700-1797 (2018) [CD Rip]

Jordi Savall - Venezia Millenaria 700-1797 (2018) [CD Rip]

BAND/ARTIST: Jordi Savall

  • Title: Venezia Millenaria 700-1797
  • Year Of Release: 2018
  • Label: Alia Vox
  • Genre: Classical
  • Quality: FLAC (image + .cue, log, artwork)
  • Total Time: 02:34:45
  • Total Size: 784 MB
  • WebSite:
Tracklist:

CD 1:
01: Fanfare (instr.) – D’après une mélodie du siècle VIII
02: Αλληλούϊα - Alléluia (Choral byzantin) – Ioannis Damaskinos (VIIIe siècle)
03: Halatzoglou kratema – Anonyme Byzantin (instrumental)
04: Chanson de Croisade “Pax in nomine Domini” – Marcabru (1100-1150)
05: Danse de l’âme (Afrique du Nord) – Anonyme Instrumental (Tradition Berbère)
06: Τὸν Δεσπότην καὶ Ἀρχιερέα (Ton Despóti ke Arhieréa) «Hymne pour les services des Matins»
07: Chanson & Danse arménienne (XIIIe siècle)
08: Conductus “O totus Asie Gloria, Regis Alexandria Filia” (XIIIe siècle)
09: Istampitta “Saltarello” (mss. XIVe siècle) – Anonyme
10: Πάσαν την ελπίδα μου (Pásan tin elpida mu) – Ioannis Damaskinos
11: “Chiave, chiave” (instr.) – Anonyme (début du XVe siècle)
12: “Adoramus te” (Chansonnier du XVe siècle)
13: Hirmos Calophonique - Τήν δέησίν μου (Tin Déisin mu) – Anonyme (XVe siècle)
14: Marche Ottomane “Nikriz peşrev” – Ali Ufki Bey
15: “Lamentio Sanctae Matris Ecclesiae Constantinopolitanae” Guillaume Dufay (1397-1474)
16: La Guerre : “La Bataille de Marignan” – Clément Janequin (ca. 1485-1558)
17: Cantique des Cantiques (3,1-4) “Qamti be-Ishon Layla (Je me suis levé en pleine nuit)”
18: “Villanesca alla napolitana : Vecchie letrose” – Adrian Willaert (1490-1562)
19: “Der makām-ı Uzzäl Sakîl” – Anonyme ottoman instr. – Dimitrie Cantemir (n. 324)
20: Madrigal : “Oíd, oíd... [...las buenas nuevas de Lepanto]” – Joan Brudieu (1520-1591)

CD 2:
01: Psaumes de David. “Ficht wider meine Anfechter” (Psaume 35) Claude Goudimel (1510-1572)
02: Γεύσασθε και ἰδετε (Géfsasthe ke idete) Hymne de la Sainte Eucharistie – Ioannis Kladas (XIVe siècle)
03: “Sousta” – Danse de Chypre (instr.)
04: “Ricercar VII” – Andrea Gabrieli
05: Σέ Υμνούμε (Se hymnúme). Hymne de la Sainte Eucharistie (en slave) Michael Chatziathanasiou
06: “Laïla Djân” – Danse Anonyme Perse [instr.]
07: Psaume 137, (1-6); “Al nàhärót bavél (Sur les rivières de Babylone)” Salomone Rossi (1570-1630)
08: Il combattimento di Tancredi e Clorinda, SV 153 – Claudio Monteverdi (1567-1643)
09: “Sinfonia Seconda” – Johann Rosenmüller
10: “Der Makām-i-Rehavi Çember-i-Koca” – Marche ottomane Tanburi Angeli (?-1690)
11: «Di queste selve venite, o Numi» de «La Senna festeggiante» composée «à la gloire de Louis XV» “L’Età dell’Oro, La Virtù, La Senna. (1 part. n. 19)” – Antonio Vivaldi (1678-1741)
12: Alla turca (Allegretto) – Wolfgang Amadeus Mozart (1756-1791) Version musicale Jordi Savall (D’après la Sonate n° 11, A-Dur KV 331)
13: “Deo gratias” - Hymne Orthodoxe Russe du XVIè siècle – Anonyme s. XVI Αναστάσεως Ημέρα
14: Chanson Constitutionnelle “Nous sommes tous égaux” (Mélodie anonyme, Arrangement Jordi Savall)
15: “Canzonette veneziane da battello. Raccolta di gondoliere” Johann Adolf Hasse (1699-1783) ed. John Walsh - Arrangement à 4 voix de Jordi Savall «Per quel bel viso»
16: “Canzonette veneziane da battello. Raccolta di gondoliere” Johann Adolf Hasse (1699-1783) ed. John Walsh - Arrangement à 4 voix de Jordi Savall «Mia cara Anzoletta»
17: “La Sainte Ligue” (La nuit est sombre) de Luigi Bordèse (1815-1886)

Despite its hefty, hardbound, 300-plus-page book and attendant top price, Jordi Savall's Venezia Millenaria has appeared on commercial sales charts. It's easy to see why: this is one of Savall's most ambitious concepts, covering the promised millennium of the history of the city of Venice, Italy, plus a bit more as a bonus, taking you up to the end of Venice's independence. The book contains enough information that it could serve as the basis for a little travelers' course, but there's also a case to be made for just listening and letting a thousand years of music wash over you. Venice was a diverse city where numerous languages could be heard on the street, and Savall represents the various musical cultures that made up Venice's mosaic -- not only Turks and Byzantines, but Greeks, Jews, and even Cypriots. All this while unearthing unusual works that depict major events of the time, including the big ones (the fall of Constantinople) as well as those that you may not have read about (sample the marvelous Clément Janequin battle chanson depicting the 1515 Battle of Marignan). Savall brings aboard Eastern musicians to complement his Hesperion XXI and Concert de Nations choir. The whole production would be worth the money even for the texted Beethoven symphony movements at the end, and there is so much more. An impressive achievement even by Savall's standards. -- James Manheim


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