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Les Dominos & Florence Malgoire - Jacquet de la Guerre: Violin Sonatas (2011) [Hi-Res]

Les Dominos & Florence Malgoire - Jacquet de la Guerre: Violin Sonatas (2011) [Hi-Res]
  • Title: Jacquet de la Guerre: Violin Sonatas
  • Year Of Release: 2011
  • Label: Ricercar
  • Genre: Classical
  • Quality: flac lossless / flac 24bits - 44.1kHz +booklet
  • Total Time: 01:18:29
  • Total Size: 380 / 757 mb
  • WebSite:
Tracklist
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01. Sonata No. I en Ré Mineur: Sonata No. I en Ré Mineur: I. (Lent)
02. Sonata No. I en Ré Mineur: Sonata No. I en Ré Mineur: II. Presto
03. Sonata No. I en Ré Mineur: Sonata No. I en Ré Mineur: III. Adagio
04. Sonata No. I en Ré Mineur: Sonata No. I en Ré Mineur: IV. Presto
05. Sonata No. I en Ré Mineur: Sonata No. I en Ré Mineur: V. Presto
06. Sonata No. I en Ré Mineur: Sonata No. I en Ré Mineur: VI. Aria
07. Sonata No. I en Ré Mineur: Sonata No. I en Ré Mineur: VII. Presto
08. Sonata No. II en Ré Majeur: Sonata No. II en Ré Majeur: I. Presto
09. Sonata No. II en Ré Majeur: Sonata No. II en Ré Majeur: II. Adagio
10. Sonata No. II en Ré Majeur: Sonata No. II en Ré Majeur: III. Presto
11. Sonata No. II en Ré Majeur: Sonata No. II en Ré Majeur: IV. Presto
12. Sonata No. III en Fa Majeur: Sonata No. III en Fa Majeur: I. (Lent)
13. Sonata No. III en Fa Majeur: Sonata No. III en Fa Majeur: II. Preste (sic)-Adagio
14. Sonata No. III en Fa Majeur: Sonata No. III en Fa Majeur: III. Presto
15. Sonata No. III en Fa Majeur: Sonata No. III en Fa Majeur: IV. Aria
16. Sonata No. III en Fa Majeur: Sonata No. III en Fa Majeur: V. Adagio
17. Sonata No. IV en Sol Majeur-Mineur: Sonata No. IV en Sol Majeur-Mineur: I. (Lent)-Presto-Adagio
18. Sonata No. IV en Sol Majeur-Mineur: Sonata No. IV en Sol Majeur-Mineur: II. Presto-(Lent)
19. Sonata No. IV en Sol Majeur-Mineur: Sonata No. IV en Sol Majeur-Mineur: III. Presto
20. Sonata No. IV en Sol Majeur-Mineur: Sonata No. IV en Sol Majeur-Mineur: IV. Adagio
21. Sonata No. IV en Sol Majeur-Mineur: Sonata No. IV en Sol Majeur-Mineur: V. Aria
22. Sonata No. V en La Mineur: Sonata No. V en La Mineur: I. (Lent)
23. Sonata No. V en La Mineur: Sonata No. V en La Mineur: II. Presto
24. Sonata No. V en La Mineur: Sonata No. V en La Mineur: III. Adagio
25. Sonata No. V en La Mineur: Sonata No. V en La Mineur: IV. Courante
26. Sonata No. V en La Mineur: Sonata No. V en La Mineur: V. Aria
27. Sonata No. VI en La Majeur: Sonata No. VI en La Majeur: I. Allemande
28. Sonata No. VI en La Majeur: Sonata No. VI en La Majeur: II. Presto
29. Sonata No. VI en La Majeur: Sonata No. VI en La Majeur: III. Adagio
30. Sonata No. VI en La Majeur: Sonata No. VI en La Majeur: IV. (Lent)
31. Sonata No. VI en La Majeur: Sonata No. VI en La Majeur: V. Aria
32. Sonata No. VI en La Majeur: Sonata No. VI en La Majeur: VI. Adagio
33. Sonata No. VI en La Majeur: Sonata No. VI en La Majeur: VII. Presto
34. Sonata No. VI en La Majeur: Sonata No. VI en La Majeur: VIII. Aria

It was Jean-Jacques Rousseau in his Dictionnaire de Musique who quoted the philosopher Fontenelle’s famous outburst ‘Sonata, what do you want from me?’. The Italian sonata was the fashion in France at that time and composers had abandoned the character pieces and the works in dance forms that had typified French music until then. Couperin, a proud champion of French music who was nonetheless attracted by the charms of Italian music, had tried to reconcile the musical tastes of the two nations by giving illustrative titles to the various movements of his sonatas.

This new series of recordings from Ricercar will explore the history of the sonata in France at the beginning of the 18th century. The structural freedom and the undeniable sense of drama implicit in the Sonatas by Elisabeth Jacquet de La Guerre provide an excellent delineation of our theme. Louis XIV was not wrong about this music: ‘‘Dinner being over, His Majesty spoke to Mlle de la Guerre in a most gracious manner; after having praised her sonatas extensively, he said to her that they could not be compared to any other such works. Mlle de la Guerre could not have received higher praise, for these words revealed that the King had not only found her music to be most fine, but also to be original — a quality that today is extremely rare.’ ( Le Mercure galant, 1707) This recording also marks the debut of Florence Malgoire and her ensemble Les Dominos on the Ricercar label.




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  • platico
  •  wrote in 07:30
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