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Teodora Gheorghiu - Arias For Anna De Amicis (2011) [Hi-Res]

Teodora Gheorghiu - Arias For Anna De Amicis (2011) [Hi-Res]
  • Title: Arias For Anna De Amicis
  • Year Of Release: 2011
  • Label: Aparte
  • Genre: Classical
  • Quality: FLAC (tracks, booklet) [44.1kHz/24bit]
  • Total Time: 01:20:32
  • Total Size: 770 MB
  • WebSite:
Tracklist:

01. Miser’Armida… Odio, furor, dispetto
02. Vanne. T’affretta… Ah se il crudel
03. In un istante… Parto, m’affretto
04. Sposo… mia vita… Fra i pensier
05. Dalla sponda tenebrosa
06. Qual vita è questa mai… Che fiero momento
07. Tanto avvezza alle sventure
08. Sorprender mi vorresti
09. Basta così vincesti
10. Tortorella abbandonata
11. Mentre volgo intorno il piede
12. E fra tante tempeste… Se balena

Romanian soprano Teodora Gheorghiu is apparently a friend of, but unrelated to, opera star Angela Gheorghiu, but this release suggests she deserves to be as well known as her compatriot. On this Harmonia Mundi release she chooses a program that few other singers have attempted: a Classical-period equivalent to the collections of virtuoso (or virtuosa) Baroque arias that even big-name singers have essayed. All of the music was composed for Neapolitan-born singer Anna de Amicis, in full Anna-Lucia de Amicis-Buonosolazzi. There are some real finds here, including the Mozartian style and sheer acrobatics of the aria "Sorprender mi vorresti" from the 1773 opera Romolo ed Ersilia by Josef Myslivecek, otherwise known largely for his instrumental music. You could choose this album purely for the four selections from the rarely performed Lucio Silla by the 16-year-old Mozart, written during the composer's Italian sojourn and delayed until de Amicis arrived in Milan. Gheorghiu has a real feeling for the new freedom in the music of Gluck, the young Mozart, and Nicolò Jommelli, delivering the words naturally and dramatically. In the blistering "E frat tante tempest ... Se balena" by the virtually unknown Pasquale Cafaro, she is equal to some of the most difficult long arias in the Classical repertory. But it is not just in the extremes where Gheorghiu excels: the middle of her range has an uncanny sense of power in reserve, and her unornamented melodic lines are deeply musical. The support Gheorghiu receives from the historical-instrument group Les Talens Lyriques under Christophe Rousset is nothing short of ideal, with the smooth yet tough strings complementing her voice beautifully. Sample and enjoy. -- James Manheim


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  • owen1438
  •  wrote in 06:24
    • Like
    • 0
Many thanks for sharing!