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Jordi Savall & Andrew Lawrence-King - The Celtic Viol (2009)

Jordi Savall & Andrew Lawrence-King - The Celtic Viol (2009)
  • Title: The Celtic Viol
  • Year Of Release: 2009
  • Label: Alia Vox
  • Genre: Classical, World, Celtic
  • Quality: APE (image+.cue,log,scans) / FLAC (tracks)
  • Total Time: 01:15:47
  • Total Size: 433 Mb / 450 Mb
  • WebSite:
Tracklist:

1. The Musical Priest / Scotch Mary
2. Caledonia's Wail for Niel Gow
3. The Humours Of Scariff
4. Alistair MacAlastair
5. Tom Brigg's, Jig
6. The Globby O, Jig
7. Lord Moira's & Jinrikisha
8. Sackow's (Jig)
9. Hard Is My Fate
10. Chapel Keithack
11. Gudewife, Admit The Wanderer
12. Macpherson's Lament
13. Tullochgorum
14. Pretty Peggy
15. Twas within a furlong of Edinburgh Town
16. Màiri Bhàn Òg: Mary Young & Fair
17. Dowd's Reel
18. Lady Mary Hay's Scots Measure
19. Carolan's Farewell
20. Gusty's Frolics
21. Emigrants Reel
22. The Lamentations Of Owen Roe O'Neill
23. Princess Beatrice
24. Prince Charlie's Last View Of Edinburg
25. Trip It Upstairs (Single Jig)
26. Mrs. McPherson of Gibton
27. Tuttle's
28. Lament for the Death of his Second Wife
29. The Gander in the Pratie Hole

Performers:
Viol [5-String Treble], Viol [6-String Treble], Fiddle [5-String Treble] – Jordi Savall
Harp [Irish], Psaltery – Andrew Lawrence-King

This record does have some limitations. In his accompanying comments, Savall notes the survival and vitality of oral transmission in Irish and Scottish music. Yet he has chosen many of his selections for this album from published collections which themselves filtered, altered, sanitized and 'improved' the oral tradition for a bourgeois audience increasingly interested in the music of 'the people'. Perhaps if Savall had more time to listen and learn tunes in 'live' settings, at pubs and dances, he might have assimilated more of the traditional styles, particularly their regional diversity. However, this record is a homage, and Savall doesn't claim authenticity (wherever you may find that), describing the record as a 'fervent tribute'. I think I detect some purist snobbery in Tam na ceol's comments. But where - for example - would Irish traditional music be without Michael Coleman's many American recordings, despite the frequently abysmal piano accompaniments? Savall acknowledges that he was not born into these traditions, and has much to learn. These recordings are certainly not dire and plodding. Savall's touch is light and affectionate. While his performances are far removed from what many would consider traditional, they are beautiful, and with these limitations can be accepted as the homage they are.


Jordi Savall & Andrew Lawrence-King - The Celtic Viol (2009)




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