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Toronto Mendelssohn Choir, Toronto Symphony Orchestra & Sir Andrew Davis - Berlioz: Symphony fantastique & Fantaisie dramatique sur la tempête (2019) [Hi-Res]

Toronto Mendelssohn Choir, Toronto Symphony Orchestra & Sir Andrew Davis - Berlioz: Symphony fantastique & Fantaisie dramatique sur la tempête (2019) [Hi-Res]
  • Title: Berlioz: Symphony fantastique & Fantaisie dramatique sur la tempête
  • Year Of Release: 2019
  • Label: Chandos
  • Genre: Classical
  • Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
  • Total Time: 01:10:03
  • Total Size: 291 MB / 1.17 GB
  • WebSite:
Tracklist:

1 Fantaisie dramatique sur la tempête, H. 52: I. Prologue 03:07
2 Fantaisie dramatique sur la tempête, H. 52: II. La tempête 02:29
3 Fantaisie dramatique sur la tempête, H. 52: III. L’action 06:51
4 Fantaisie dramatique sur la tempête, H. 52: IV. Le dénouement 02:07
5 Symphonie fantastique, Op. 14, H. 48: I. Rêveries. Largo - Passions. Allegro agitato e appassionato assai 15:34
6 Symphonie fantastique, Op. 14, H. 48: II. Un bal. Allegro non troppo 06:33
7 Symphonie fantastique, Op. 14, H. 48: III. Scène aux champs. Adagio 16:06
8 Symphonie fantastique, Op. 14, H. 48: IV. Marche au supplice. Allegretto non troppo 06:48
9 Symphonie fantastique, Op. 14, H. 48: V. Songe d'une nuit du sabbat. Larghetto - Allegro 10:28

The Fantaisie sur la Tempête de Shakespeare was composed shortly after Berlioz had won the coveted Prix de Rome (at the fourth attempt) with his cantata Sardanapale, and was originally conceived as a concert overture, with chorus. After various re-workings of the material, the four-movement Fantaisie, as recorded here, became the finale of Berlioz’s ‘monodrama’ Lélio – a juxtaposition of existing material interlinked with dramatic monologues recited by the ‘artist’ at the centre of the work.

Symphonie fantastique, Berlioz’s best-known work by some distance, remains an evergreen in the orchestral repertoire, and beloved of audiences the world over. The idiomatic approach to orchestration, grounded in Berlioz’s musical training in French provincial wind-bands, and the revolutionary approach to the prevailing conventions of musical form at the time shine through in the five-movement masterpiece, which remains one of the most vividly programmatic symphonies ever written.

Toronto Symphony Orchestra
Toronto Mendelssohn Choir
Sir Andrew Davis, conductor


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  •  wrote in 22:19
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gracias.....