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Réka Kristóf - In Furore: Motets by Handel & Vivaldi (2019)

Réka Kristóf - In Furore: Motets by Handel & Vivaldi (2019)

BAND/ARTIST: Réka Kristóf

  • Title: In Furore: Motets by Handel & Vivaldi
  • Year Of Release: 2019
  • Label: Coviello Classics
  • Genre: Classical, Vocal
  • Quality: FLAC (image+.cue,log,scans)
  • Total Time: 01:06:21
  • Total Size: 326 mb
  • WebSite:
Tracklist:

Antonio Vivaldi - In furore iustissimae irae, RV 626:
01 Aria. In furore iustissimae irae 04:41
02 Recitativo. Miserationum Pater piissime 00:32
03 Aria. Tunc meus fletus 06:40
04 Alleluia 01:38
Georg Friedrich Handel - Salve Regina, HWV 241:
05 Salve Regina 03:49
06 Ad te clamamus 03:33
07 Eia ergo, advocata nostra 03:30
08 O clemens 01:50
Antonio Vivaldi - Laudate pueri Dominum, RV 600:
09 Laudate, pueri, Dominumo 02:11
10 Sit nomen Domini 03:29
11 A solis ortu от Réka Kristóf - In furore01:58
12 Excelsus super omnes 03:00
13 Quis sicut Dominus Deus 02:01
14 Suscitans a terra 01:48
15 Ut collocet eum 01:56
16 Gloria Patri 03:48
17 Laudate, pueri, Dominum 01:49
18 Amen 01:51
Georg Friedrich Handel - Gloria, HWV deest:
19 Gloria in excelsis Deo 02:25
20 Et in terra pax 03:14
21 Laudamus te 02:28
22 Domine Deus (Adagio) 01:25
23 Qui tollis peccata mundi 02:59
24 Quoniam tu solus sanctus (Andante-Allegro) 03:28

Performers:
Réka Kristóf (Sopran)

Accademia di Monaco
Bruno van Esseveld (Violine 2 - Solo in der Spur 16)
Laura Kneser (Violoncello - Solo in der Spur 12)
Robert Schröter (Cembalo, Orgel - Solo in Spuren 07 & 12)
Joachim Tschiedel (Cembalo, Orgel & Musikalische Leitung)
Mary Utiger (Musikalische Leitung)

“I have to use my voice very instrumentally.” Soprano Réka Kristóf, recently awarded the prize at the Anton Rubinstein Academy in Dusseldorf, sees what Handel and Vivaldi demand of her in terms of vocal flexibility as a positive challenge.
“I really feel very comfortable in the field of early music. Especially in this CD production, because this is spiritual music. For me this is the most honest form of music.” Of course, it’s worth investing a lot, because what sounds easy later requires a lot of effort: “It’s crazy what you have to put in for a job! But I also remember how well I liked this kind of music from the first moment on.”
If you listen to her debut CD, you’ll be convinced. Mentor and conductor Joachim Tschiedel supports the soloist perfectly in this project and leads the Accademia di Monaco to a transparent and brilliant orchestral sound.




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