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Franz Halasz - J.S. Bach: The Lute Suites (2019) [Hi-Res]

Franz Halasz - J.S. Bach: The Lute Suites (2019) [Hi-Res]

BAND/ARTIST: Franz Halasz

  • Title: J.S. Bach: The Lute Suites
  • Year Of Release: 2019
  • Label: BIS
  • Genre: Classical
  • Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
  • Total Time: 01:22:32
  • Total Size: 355 MB / 1.27 GB
  • WebSite:
Tracklist:

1 Lute Suite in G Minor, BWV 995: I. Prelude 05:27
2 Lute Suite in G Minor, BWV 995: II. Allemande 05:40
3 Lute Suite in G Minor, BWV 995: III. Courante 02:20
4 Lute Suite in G Minor, BWV 995: IV. Sarabande 02:43
5 Lute Suite in G Minor, BWV 995: V. Gavotte I & II 05:03
6 Lute Suite in G Minor, BWV 995: VI. Gigue 02:48
7 Lute Suite in C Minor, BWV 997 "Partita" (Arr. A. Krause): I. Prelude "Fantasia" 03:20
8 Lute Suite in C Minor, BWV 997 "Partita" (Arr. A. Krause): II. Fugue 07:08
9 Lute Suite in C Minor, BWV 997 "Partita" (Arr. A. Krause): III. Sarabande 04:49
10 Lute Suite in C Minor, BWV 997 "Partita" (Arr. A. Krause): IV. Gigue - V. Double 06:15
11 Violin Partita No. 3 in E Major, BWV 1006 (Arr. A. Krause for Guitar): I. Prelude 03:45
12 Violin Partita No. 3 in E Major, BWV 1006 (Arr. A. Krause for Guitar): II. Loure 03:37
13 Violin Partita No. 3 in E Major, BWV 1006 (Arr. A. Krause for Guitar): III. Gavotte en rondeau 03:12
14 Violin Partita No. 3 in E Major, BWV 1006 (Arr. A. Krause for Guitar): IV. Menuett I - V. Menuett II 05:08
15 Violin Partita No. 3 in E Major, BWV 1006 (Arr. A. Krause for Guitar): VI. Bourrée 01:53
16 Violin Partita No. 3 in E Major, BWV 1006 (Arr. A. Krause for Guitar): VII. Gigue 02:11
17 Lute Suite in E Minor, BWV 996: I. Prelude 02:42
18 Lute Suite in E Minor, BWV 996: II. Allemande 03:14
19 Lute Suite in E Minor, BWV 996: III. Courante 02:36
20 Lute Suite in E Minor, BWV 996: IV. Sarabande 03:52
21 Lute Suite in E Minor, BWV 996: V. Bourrée 01:21
22 Lute Suite in E Minor, BWV 996: VI. Gigue 03:28

The universal appeal of the music of Johannes Sebastian Bach is such that most musicians, regardless of their instrument, long to play it. As a consequence, his works are constantly being arranged for other instruments – following a practice that Bach himself excelled at, repeatedly reworking his own music as well as that of others. A case in point are the four so-called lute suites, all of which now belong to the standard repertoire of most concert guitarists. To what extent they were originally composed for a plucked instrument has always been a matter of contention and has given rise to many hypotheses. They hail from various periods in Bach’s career, and range from youthful elan (BWV 996) by way of the zenith of artistic creativity (BWV 995, 1006a) to serene maturity (BWV 997). For this recording, Franz Halász has himself transcribed two of the suites, performing the others in arrangements by Ansgar Krause. For reasons of practicality, the suites in G minor and C minor are usually transposed when played on the guitar, but the present arrangements have made it possible to record all four works in their original keys for the first time on the guitar. An unusually generous playing time furthermore allows them to be collected on a single disc. Franz Halász appears on a number of acclaimed albums for BIS, in a wide-ranging repertoire including Bach’s three sonatas for solo violin, which he, according to one reviewer makes ‘entirely his own’ (BBC Music Magazine).


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  • platico
  •  wrote in 01:11
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gracias....
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  • olga1001
  •  wrote in 12:20
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Performed by classical guitar (not period) and sounds rich something like lute !
Thanks