Odhecaton, Paolo da Col - O gente brunette (2009)
BAND/ARTIST: Odhecaton, Paolo da Col
- Title: O gente brunette
- Year Of Release: 2009
- Label: Ramée
- Genre: Classical
- Quality: flac lossless +Booklet
- Total Time: 01:05:04
- Total Size: 290 mb
- WebSite: Album Preview
Tracklist
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01. Salve Regina, a 4
02. Ave Regina caelorum, a 4
03. O gente brunette, a 4
04. Missa O gente brunette, a 4: I. Kyrie
05. Missa O gente brunette, a 4: II. Gloria
06. Missa O gente brunette, a 4: III. Credo
07. Missa O gente brunette, a 4: IV. Sanctus
08. Missa O gente brunette, a 4: V. Angus Dei, a 4/6
09. Ecce panis angelorum, a 4
10. Nesciens mater, a 8
11. Omnium bonorum plena, a 4
12. Virgo caelesti, a 5
13. O genitrix gloriosa, a 4
14. Ave Maria [...Virgo serena], a 5
Between about 1400 and 1550, musical life in Europe was dominated by five generations of musicians born and formed in a well-defined geographical area generally described by musicologists as franco-flemish. From this area emanated the overwhelming majority of the musical elite of the Renaissance – illustrious composers and musicians, recruited at great expense by wealthy patrons right across Europe. The southern part of this area, Picardy, was a rich pool of talented singers and composers. The cathedral and collegial churches of Amiens alongside the Picard church chapters pursued a general musical education for choirboys who, if they showed any natural musical talent, could become professional musicians, either in their churches or – greatest prize of all – by being recruited to the private chapels of the grandest of European rulers. With five composers from different generations, and of varying status, this programme of religious music conveys a relatively comprehensive survey of what 16th-century musical life in the churches of one of the most musically well-endowed French provinces might have been.
Odhecaton made its debut in 1998 and has won many prestigious prizes for its recordings, reflecting critical recognition of the group’s having pioneered a new interpretive approach to the performance of polyphonic music. Their core repertoire encompasses the work of Italian, French, Flemish and Spanish composers of the 15th century.
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01. Salve Regina, a 4
02. Ave Regina caelorum, a 4
03. O gente brunette, a 4
04. Missa O gente brunette, a 4: I. Kyrie
05. Missa O gente brunette, a 4: II. Gloria
06. Missa O gente brunette, a 4: III. Credo
07. Missa O gente brunette, a 4: IV. Sanctus
08. Missa O gente brunette, a 4: V. Angus Dei, a 4/6
09. Ecce panis angelorum, a 4
10. Nesciens mater, a 8
11. Omnium bonorum plena, a 4
12. Virgo caelesti, a 5
13. O genitrix gloriosa, a 4
14. Ave Maria [...Virgo serena], a 5
Between about 1400 and 1550, musical life in Europe was dominated by five generations of musicians born and formed in a well-defined geographical area generally described by musicologists as franco-flemish. From this area emanated the overwhelming majority of the musical elite of the Renaissance – illustrious composers and musicians, recruited at great expense by wealthy patrons right across Europe. The southern part of this area, Picardy, was a rich pool of talented singers and composers. The cathedral and collegial churches of Amiens alongside the Picard church chapters pursued a general musical education for choirboys who, if they showed any natural musical talent, could become professional musicians, either in their churches or – greatest prize of all – by being recruited to the private chapels of the grandest of European rulers. With five composers from different generations, and of varying status, this programme of religious music conveys a relatively comprehensive survey of what 16th-century musical life in the churches of one of the most musically well-endowed French provinces might have been.
Odhecaton made its debut in 1998 and has won many prestigious prizes for its recordings, reflecting critical recognition of the group’s having pioneered a new interpretive approach to the performance of polyphonic music. Their core repertoire encompasses the work of Italian, French, Flemish and Spanish composers of the 15th century.
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