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Paul Lewis - Schubert: The Late Piano Sonatas (2014) Hi-Res

Paul Lewis - Schubert: The Late Piano Sonatas (2014) Hi-Res

BAND/ARTIST: Paul Lewis

  • Title: Schubert: The Late Piano Sonatas
  • Year Of Release: 2014
  • Label: Harmonia Mundi
  • Genre: Classical
  • Quality: FLAC (tracks) 24bit / 96kHz
  • Total Time: 02:09:10
  • Total Size: 1.94 Gb
  • WebSite:
Tracklist:

PIANO SONATA D.784 OP. POSTH. 143 A minor / la mineur / a-Moll
1. I. Allegro giusto 13’12
2. II. Andante 4’00
3. III. Allegro vivace 5’23
PIANO SONATA D.958 C minor / ut mineur / c-Moll
4. I. Allegro 10’38
5. II. Adagio 8’14
6. III. Menuetto Allegro - Trio 3’15
7. IV. Allegro 9’28
PIANO SONATA D.959 A major / La majeur / A-Dur
8. I. Allegro 11’58
9. II. Andantino 7’47
10. III. Scherzo Allegro vivace - Trio Un pocco più lento 5’11
11. IV. Rondo Allegretto 13’11
PIANO SONATA D.960 B flat major / Si bémol majeur / B-Dur
12. I. Molto moderato 15’22
13. II. Andante sostenuto 9’14
14. III. Scherzo Allegro vivace con delicatezza - Trio 3’44
15. IV. Allegro, ma non troppo 8’09

Performers:
Paul Lewis – piano

For a number of years, the piano music of Ludwig van Beethoven has dominated the recordings of British pianist Paul Lewis on Harmonia Mundi, though since 2011 he has also recorded the sonatas of Franz Schubert, an equal interest to him. This 2014 album of the last four piano sonatas may bring with it expectations of a grand statement: the late piano sonatas, like the final string quartets, the piano trios, the String Quintet, the last songs, and other works of 1828 carry with them the gravitas of Schubert's illness and impending death, and some aspect of the composer's mortality is usually addressed in performances of these works. Lewis is qualified to offer meaningful interpretations of Schubert's artistic intentions, though what might not be expected is the weightlessness, ease, energy, and joy that he communicates in these sonatas, expressive choices that rises above the biographical. They are masterfully played and marvelously recorded, so such technical matters don't interfere with the pure appreciation of the music. Drama and pathos are here, of course, along with tenderness and lyricism, but Lewis doesn't dwell morbidly on the darker aspects, preferring instead to let the light shine through. It certainly does in all four works, and even though there are moments of intense passion, gloom, and even fury, one comes away from hearing these sonatas with a sense of the wholeness of Schubert's conceptions, including his ineffable serenity, and Lewis' balanced choices are fully justified. Highly recommended.




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