Caboose - Hinterland Blues (2019)
BAND/ARTIST: Caboose
- Title: Hinterland Blues
- Year Of Release: 2019
- Label: New Model Label
- Genre: Contemporary Blues
- Quality: MP3 320 kbps
- Total Time: 35:38
- Total Size: 84 MB
- WebSite: Album Preview
Tracklist:
1. Land Of No Return (4:45)
2. They Call Him Poet (3:10)
3. Suicide Song (3:42)
4. Landslide (4:14)
5. Our Wolrd (3:29)
6. Hinterland Blues (7:26)
7. Freight Train Blues (4:36)
8. Bloodhound (4:14)
1. Land Of No Return (4:45)
2. They Call Him Poet (3:10)
3. Suicide Song (3:42)
4. Landslide (4:14)
5. Our Wolrd (3:29)
6. Hinterland Blues (7:26)
7. Freight Train Blues (4:36)
8. Bloodhound (4:14)
Personnel:
Louis DeCicco - electric guitar, resophonic guitar, voice, lyrics
Carlo Corso - drums, percussion
Biagio Daniele - harmonica, guitar dulcimer
Bruno Belardi - double bass on 1,2,6
Emanuele Carulli - electric bass on 5
Giovanna Salvo Rossi - backing vocals on 4,5
When Louis DeCicco begins to play in the Berlin's underground, the only trains that matter are the yellow ones.
"Just the last wagon, because when you hear the train coming, you'd better start playing for the people who jump on and off"
He didn't know yet, that in the U.S. , where Biagio Daniele is touring extensively, the last coach of the train, derives from a german word: Kabhuse. We'r talking about freight trains of course, that many artists have caught on the run, and let the destiny behind.
"Our Caboose tells about stories at the edges, describing the habits of the citizens of whichever little town in the world.
If you look around you, wherever the place you live, the city (or the suburbs) IS a small world: the first you experience as a young man and have to deal with.
A lot of songs, especially in the new album, reflect our real urges and thoughts, but we discovered that we were using the point of view of some childhood characters that we met in the real life. And the funny is, that listeners recognize themselves as much as we do: because those characters are immortal, in a way, and everyone says his truth, everyone sings his own blues"
The blues, here we go. Is it possible to say something new with such a "old" style?
We'd like to quote a great italian jazz musician of the eighties, Massimo Urbani: the avantgarde is in the feelings.
So, the songs are about real episodes and fact, concerning mixed emotions: they witness the overtaking of cars that end up into a prostitute circle in the middle of the suburb (Hinterland blues); the voice of a hopeless preacher concerned about the increasing reverence for money (Our world), the last thoughts of a friend who is about to commit suicide ( Suicide song) and so on...
Louis DeCicco - electric guitar, resophonic guitar, voice, lyrics
Carlo Corso - drums, percussion
Biagio Daniele - harmonica, guitar dulcimer
Bruno Belardi - double bass on 1,2,6
Emanuele Carulli - electric bass on 5
Giovanna Salvo Rossi - backing vocals on 4,5
When Louis DeCicco begins to play in the Berlin's underground, the only trains that matter are the yellow ones.
"Just the last wagon, because when you hear the train coming, you'd better start playing for the people who jump on and off"
He didn't know yet, that in the U.S. , where Biagio Daniele is touring extensively, the last coach of the train, derives from a german word: Kabhuse. We'r talking about freight trains of course, that many artists have caught on the run, and let the destiny behind.
"Our Caboose tells about stories at the edges, describing the habits of the citizens of whichever little town in the world.
If you look around you, wherever the place you live, the city (or the suburbs) IS a small world: the first you experience as a young man and have to deal with.
A lot of songs, especially in the new album, reflect our real urges and thoughts, but we discovered that we were using the point of view of some childhood characters that we met in the real life. And the funny is, that listeners recognize themselves as much as we do: because those characters are immortal, in a way, and everyone says his truth, everyone sings his own blues"
The blues, here we go. Is it possible to say something new with such a "old" style?
We'd like to quote a great italian jazz musician of the eighties, Massimo Urbani: the avantgarde is in the feelings.
So, the songs are about real episodes and fact, concerning mixed emotions: they witness the overtaking of cars that end up into a prostitute circle in the middle of the suburb (Hinterland blues); the voice of a hopeless preacher concerned about the increasing reverence for money (Our world), the last thoughts of a friend who is about to commit suicide ( Suicide song) and so on...
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