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Michael Martin Murphey - Tonight We Ride (Reissue) (1986/2005)

Michael Martin Murphey - Tonight We Ride (Reissue) (1986/2005)
  • Title: Tonight We Ride
  • Year Of Release: 1986/2005
  • Label: Wounded Bird Records
  • Genre: Country, Folk Rock
  • Quality: Mp3 320 / Flac (tracks, .cue, log)
  • Total Time: 40:54
  • Total Size: 103/252 Mb (scans)
  • WebSite:
Michael Martin Murphey - Tonight We Ride (Reissue) (1986/2005)


Tracklist:

1. Tonight We Ride
2. Rollin' Nowhere
3. Innocent Hearts
4. Close to My Heart
5. Face to Face With the Night
6. Building Bridges
7. Fiddlin' Man
8. I'll Break Out Again Tonight
9. The One That Got Away
10. Sante Fe Cantina
11. Ghost Town (Message from the Ghost Ranch)

Michael Martin Murphey and producer Jim Ed Norman enlisted a stellar cast for the singer/songwriter's Warner Bros. debut. Tonight We Ride hosted such luminaries as Pam Tillis, Sonny Throckmorton, J.D. Souther, Buddy Emmons, Reggie Young, Charlie McCoy, Barry Beckett, Mark O'Connor, and Josh Leo. Too bad it's all for naught. If ever a Nash Vegas record suffered from the excesses of 1980s production, this is it. Murphey still had some of his excellent writing chops, but his tunes are utterly crushed under the weight of synthesizers, synth strings, drum machines, and horribly layered vocals. The title track and the album's first single sounds like the union of Billy Joel, Bruce Springsteen, and Pat Benatar. Ugh. "Rollin' Nowhere" is an early attempt at Western swing and Emmons shines on the track, but everything is so separate that the musicians might as well have been in different rooms. "Innocent Hearts" is one of those utterly sappy and syrupy Murphey ballads that it hurts to listen to. "Close to My Heart"'s melody apes that of "Cosmic Cowboy Souvenir" and is the album's best track, a classic slice of Murphey's particular writing talent. But next is "Face to Face With the Night," with an overblown sense of drama and so many keyboard, vocal, and guitar overdubs it's hard to find the song. "Building Bridges" is a decent duet with Pam Tillis, and her performance is stellar. The rest, other than the album's fine closer, "Ghost Town" (an honest to goodness country song), is utterly forgettable.



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  • User offline
  • mufty77
  •  wrote in 22:48
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Many thanks for lossless.
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  • whiskers
  •  wrote in 12:03
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Many Thanks
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  • Sputnik
  •  wrote in 13:08
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much appreciated, thanx you