Patricia Kopatchinskaja, WDR Sinfonieorchester Köln & Heinz Holliger - Schumann: Fantasy for Violin and Orchestra & Concert Pieces (2016) [Hi-Res]
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BAND/ARTIST: Patricia Kopatchinskaja, WDR Sinfonieorchester Köln, Heinz Holliger
- Title: Schumann: Fantasy for Violin and Orchestra & Concert Pieces
- Year Of Release: 2016
- Label: audite Musikproduktion
- Genre: Classical
- Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
- Total Time: 01:07:32
- Total Size: 278 / 1011 mb
- WebSite: Album Preview
Tracklist
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01. Konzertstück for Piano & Orchestra in D Minor, Op. 134: Introduction and Concert-Allegro for Piano and Orchestra, Op. 134
02. Fantasy for Violin and Orchestra, Op. 131
03. Konzertstück for Piano and Orchestra, Op. 92: Introduction & Allegro Appassionato
04. Konzertstück for Four Horns and Orchestra, Op. 86: I. Lebhaft
05. Konzertstück for Four Horns and Orchestra, Op. 86: II. Romanze. Ziemlich langsam, doch nicht Schleppend
06. Konzertstück for Four Horns and Orchestra, Op. 86: III. Sehr Lebhaft
Schumann’s 'Konzertstücke' complement his solo concertos. Confined to one movement, they are more concentrated, more pointed in their characters and freer in the development of their ideas than their bigger siblings.
Patricia Kopatchinskaja puts her own stamp onto this compact genre. Corresponding to her performance of the Violin Concerto (on Vol. 4), she also interprets the 'Violin Fantasy' without any Romantic bias. She traces Schumann’s contrasts with a broad sound palette, clear sounds alternating with intensive vibrato, and virtuoso passages characterised by nimble agility. The Fantasy finds its expression in Kopatchinskaja’s free approach.
Alexander Lonquich’s performance of the two Konzertstücke for piano follows an individual, but nonetheless Romantic reading, favouring rich sounds and carefully controlled accentuation as a means of expression. The covertly multi-movement Konzertstück for Four Horns reveals Schumann’s symphonic experience: he softens the boundaries of the symphony as a genre in the Classical-Romantic tradition. April will see the release of the Schumann edition’s final volume, showcasing the 'Zwickau' Symphony as well as the complete Overtures.
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01. Konzertstück for Piano & Orchestra in D Minor, Op. 134: Introduction and Concert-Allegro for Piano and Orchestra, Op. 134
02. Fantasy for Violin and Orchestra, Op. 131
03. Konzertstück for Piano and Orchestra, Op. 92: Introduction & Allegro Appassionato
04. Konzertstück for Four Horns and Orchestra, Op. 86: I. Lebhaft
05. Konzertstück for Four Horns and Orchestra, Op. 86: II. Romanze. Ziemlich langsam, doch nicht Schleppend
06. Konzertstück for Four Horns and Orchestra, Op. 86: III. Sehr Lebhaft
Schumann’s 'Konzertstücke' complement his solo concertos. Confined to one movement, they are more concentrated, more pointed in their characters and freer in the development of their ideas than their bigger siblings.
Patricia Kopatchinskaja puts her own stamp onto this compact genre. Corresponding to her performance of the Violin Concerto (on Vol. 4), she also interprets the 'Violin Fantasy' without any Romantic bias. She traces Schumann’s contrasts with a broad sound palette, clear sounds alternating with intensive vibrato, and virtuoso passages characterised by nimble agility. The Fantasy finds its expression in Kopatchinskaja’s free approach.
Alexander Lonquich’s performance of the two Konzertstücke for piano follows an individual, but nonetheless Romantic reading, favouring rich sounds and carefully controlled accentuation as a means of expression. The covertly multi-movement Konzertstück for Four Horns reveals Schumann’s symphonic experience: he softens the boundaries of the symphony as a genre in the Classical-Romantic tradition. April will see the release of the Schumann edition’s final volume, showcasing the 'Zwickau' Symphony as well as the complete Overtures.
Year 2016 | Classical | FLAC / APE | HD & Vinyl
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