Chiara Banchini, Patrizia Bovi - Tartini: Sonate a violino solo & Aria del Tasso (Alpha Collection) (2018)
BAND/ARTIST: Chiara Banchini, Patrizia Bovi
- Title: Tartini: Sonate a violino solo & Aria del Tasso (Alpha Collection)
- Year Of Release: 2008/2018
- Label: Alpha
- Genre: Classical
- Quality: flac lossless +Booklet
- Total Time: 01:08:45
- Total Size: 353 mb
- WebSite: Album Preview
Tracklist
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01. Lieto ti prendo e poi
02. Sonata XVII In D Major, B. D2: I. Andante Cantabile "Di Se Senti"
03. Sonata XVII In D Major, B. D2: II. Allegro Assai
04. Sonata XVII In D Major, B. D2: III. Aria Del Tasso
05. Sonata XVII In D Major, B. D2: IV. Furlana
06. Depon Clorinda le sue spoglie inteste
07. Sonata Xxiv In D Major, B. D4: I. Andante Cantabile "Care Dell’Idol Mio"
08. Sonata Xxiv In D Major, B. D4: II. Allegro Assai
09. Sonata Xxiv In D Major, B. D4: III. Aria Cantabile "Alla Stagion Novella"
10. Sonata Xxiv In D Major, B. D4: IV. Presto "Amico Il Fato, Guidami In Porto"
11. Sonata Xxiv In D Major, B. D4: V. "Amico Il Fato"
12. Sonata XIII In B Minor, B. H1: I. Andante "Quanto Mai Felici Siete"
13. Sonata XIII In B Minor, B. H1: II. Allegro Assai
14. Sonata XIII In B Minor, B. H1: III. Giga, Allegro Affettuoso
15. Intanto Erminia infra l’ombrose piante
16. Sonata in A Minor; B. a3: I. Cantabile
17. Sonata in A Minor; B. a3: II. Allegro
18. Sonata in A Minor; B. a3: III. Allegro
19. Sonata in A Minor; B. a3: IV. Giga
20. Sonata in A Minor; B. a3: V. Tema con variazioni
21. Solitario bosco ombroso
22. Sonata II in B Minor: I. Siciliana
23. Sonata II in B Minor: II. Allegro
24. Sonata II in B Minor: III. Allegro affettuoso
25. Solitario bosco ombroso
Although Giuseppe Tartini was taught the first rudiments of music at the College of the Padri dell Scuole Pie in Capodistria, and may have received lessons in counterpoint from the Franciscan Bohuslav Cernohorsky in Assisi, many elements give the impression that the boy had an education that was anything but ‘academic,’ and that the future ‘maestro delle nazioni’ largely taught himself. However, there does exist a declared model for the music of Tartini, at least for a certain period: that of Corelli. His output seems dominated initially by the influence of his great predecessor in terms of both language and structure. The reference to folk music in his music is also obvious. Another interesting element in the sonatas presented on this release is the presence of mottoes of varying length placed next to the incipits of certain movements, and often written in a ciphered cuneiform alphabet invented by the composer. These are poetic quotations, mostly drawn from the works of Metastasio, although not all of them have been identified. At the end of this recording is one of Tartini’s very rare vocal pieces, the last composition copied into MS 1888/1. The poem Solitario bosco ombroso, based on a clearly Petrarchan model and on the classical antecedents of Tibullus and Propertius, was published for the first time by the poet Paolo Rolli in London in 1727, in a musical setting by Rolli himself.
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01. Lieto ti prendo e poi
02. Sonata XVII In D Major, B. D2: I. Andante Cantabile "Di Se Senti"
03. Sonata XVII In D Major, B. D2: II. Allegro Assai
04. Sonata XVII In D Major, B. D2: III. Aria Del Tasso
05. Sonata XVII In D Major, B. D2: IV. Furlana
06. Depon Clorinda le sue spoglie inteste
07. Sonata Xxiv In D Major, B. D4: I. Andante Cantabile "Care Dell’Idol Mio"
08. Sonata Xxiv In D Major, B. D4: II. Allegro Assai
09. Sonata Xxiv In D Major, B. D4: III. Aria Cantabile "Alla Stagion Novella"
10. Sonata Xxiv In D Major, B. D4: IV. Presto "Amico Il Fato, Guidami In Porto"
11. Sonata Xxiv In D Major, B. D4: V. "Amico Il Fato"
12. Sonata XIII In B Minor, B. H1: I. Andante "Quanto Mai Felici Siete"
13. Sonata XIII In B Minor, B. H1: II. Allegro Assai
14. Sonata XIII In B Minor, B. H1: III. Giga, Allegro Affettuoso
15. Intanto Erminia infra l’ombrose piante
16. Sonata in A Minor; B. a3: I. Cantabile
17. Sonata in A Minor; B. a3: II. Allegro
18. Sonata in A Minor; B. a3: III. Allegro
19. Sonata in A Minor; B. a3: IV. Giga
20. Sonata in A Minor; B. a3: V. Tema con variazioni
21. Solitario bosco ombroso
22. Sonata II in B Minor: I. Siciliana
23. Sonata II in B Minor: II. Allegro
24. Sonata II in B Minor: III. Allegro affettuoso
25. Solitario bosco ombroso
Although Giuseppe Tartini was taught the first rudiments of music at the College of the Padri dell Scuole Pie in Capodistria, and may have received lessons in counterpoint from the Franciscan Bohuslav Cernohorsky in Assisi, many elements give the impression that the boy had an education that was anything but ‘academic,’ and that the future ‘maestro delle nazioni’ largely taught himself. However, there does exist a declared model for the music of Tartini, at least for a certain period: that of Corelli. His output seems dominated initially by the influence of his great predecessor in terms of both language and structure. The reference to folk music in his music is also obvious. Another interesting element in the sonatas presented on this release is the presence of mottoes of varying length placed next to the incipits of certain movements, and often written in a ciphered cuneiform alphabet invented by the composer. These are poetic quotations, mostly drawn from the works of Metastasio, although not all of them have been identified. At the end of this recording is one of Tartini’s very rare vocal pieces, the last composition copied into MS 1888/1. The poem Solitario bosco ombroso, based on a clearly Petrarchan model and on the classical antecedents of Tibullus and Propertius, was published for the first time by the poet Paolo Rolli in London in 1727, in a musical setting by Rolli himself.
Year 2018 | Classical | FLAC / APE
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