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Lisa Batiashvili, Yannick Nézet-Séguin - Visions of Prokofiev (2018) CD-Rip

Lisa Batiashvili, Yannick Nézet-Séguin - Visions of Prokofiev (2018) CD-Rip
  • Title: Visions of Prokofiev
  • Year Of Release: 2018
  • Label: Deutsche Grammophon
  • Genre: Classical
  • Quality: FLAC (image+.cue,log,scans)
  • Total Time: 59:49
  • Total Size: 316 mb
  • WebSite:
Tracklist:

Romeo and Juliet, Op. 64
1. Dance Of The Knights (Arr. For Solo Violin And Orchestra By Tamás Batiashvili) 3:46
Violin Concerto No. 1 In D Major, Op. 19
2. 1. Andantino 9:58
3. 2. Scherzo. Vivacissimo 3:52
4. 3. Moderato 8:58
Cinderella, Op.87
5. Grand Waltz (Arr. For Solo Violin And Orchestra By Tamás Batiashvili) 5:19
Violin Concerto No. 2 in G Minor, Op. 63
6. 1. Allegro moderato 10:44
7. 2. Andante assai 9:17
8. 3. Allegro, ben marcato 6:18
The Love For Three Oranges, Op. 33
9. Grand March (Arr. For Solo Violin And Orchestra By Tamás Batiashvili) 1:37
Chamber Orchestra Of Europe, Yannick Nézet-Séguin

Performers:
Lisa Batiashvili (violin)
Chamber Orchestra of Europe
Yannick Nézet-Séguin (conductor)

This release by the Georgian-German violinist Lisa Batiashvili is infused with history: in Hamburg Batiashvili studied with Mark Lubotsky, a student of David Oistrakh and likely someone who picked up a good deal of lore indirectly from Prokofiev himself. Furthermore, there are three highly enjoyable violin-and-orchestra transcriptions of familiar Prokofiev pieces by Batiashvili's father, Tamás Batiashvili. The title Visions of Prokofiev might lead you to expect a few more short pieces, but otherwise the album is given over to Prokofiev's pair of violin concertos. The Violin Concerto No. 2 in G minor, Op. 63, written in Spain, is the stronger of the pair: Batiashvili is a gifted, warm melodist (sample the first movement), and the collaboration with the Chamber Orchestra of Europe under Yannick Nézet-Séguin is especially happy here: the work is written for moderate-sized forces, and Nézet-Séguin reveals all manner of small details flowing under and around Batiashvili's melodic line. Batiashvili is confident in the rhythms of the sharper-edged Violin Concerto No. 1 in D major, Op. 19, although here some may prefer a violinist with more bite. Your mileage may vary, but in any event this is a satisfying Prokofiev album that carries on a long tradition.





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