Jean-Efflam Bavouzet - Bavouzet Plays Schumann (2019) [Hi-Res]
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BAND/ARTIST: Jean-Efflam Bavouzet
- Title: Bavouzet Plays Schumann
- Year Of Release: 2019
- Label: Chandos
- Genre: Classical
- Quality: flac lossless / flac 24bits - 96.0kHz +booklet
- Total Time: 01:14:25
- Total Size: 302 mb / 1.1 gb
- WebSite: Album Preview
Tracklist
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01. Piano Sonata No. 3 in F Minor, Op. 14 "Concerto Without Orchestra" (Arr. V. Horowitz for Piano): I. Allegro
02. Piano Sonata No. 3 in F Minor, Op. 14 "Concerto Without Orchestra" (Arr. V. Horowitz for Piano): II. Scherzo. Molto commodo
03. Piano Sonata No. 3 in F Minor, Op. 14 "Concerto Without Orchestra" (Arr. V. Horowitz for Piano): III. Quasi variazioni. Andantino de Clara Wieck
04. Piano Sonata No. 3 in F Minor, Op. 14 "Concerto Without Orchestra" (Arr. V. Horowitz for Piano): IV. Prestissimo possibile
05. Faschingsschwank aus Wien, Op. 26: I. Allegro. Sehr lebhaft
06. Faschingsschwank aus Wien, Op. 26: II. Romanze. Ziemlich langsam
07. Faschingsschwank aus Wien, Op. 26: III. Scherzino
08. Faschingsschwank aus Wien, Op. 26: IV. Intermezzo. Mit größter Energie
09. Faschingsschwank aus Wien, Op. 26: V. Finale. Höchst lebhaft
10. 3 Fantasiestücke, Op. 111: No. 1, Sehr rasch, mit leidenschaftlichem Vortrag
11. 3 Fantasiestücke, Op. 111: No. 2, Ziemlich langsam
12. 3 Fantasiestücke, Op. 111: No. 3, Kräftig und sehr markiert
13. Gesänge der Frühe, Op. 133: No. 1, Im ruhigen Tempo
14. Gesänge der Frühe, Op. 133: No. 2, Belebt, nicht zu rasch
15. Gesänge der Frühe, Op. 133: No. 3, Lebhaft
16. Gesänge der Frühe, Op. 133: No. 4, Bewegt
17. Gesänge der Frühe, Op. 133: No. 5, Im Anfange ruhiges, im Verlauf bewegtes Tempo
Following his recent acclaimed recordings of Haydn and Beethoven Sonatas, Jean-Efflam Bavouzet turns from the Classical to the Romantic era, and the works of Schumann. The programme is built around the Grand Sonata (no.3). This impressive, large-scale work was originally composed in 1834, later revised in 1853 and eventually premiered (6 years after the composer’s death) by Schumann’s young protégé Johannes Brahms. Jean-Efflam first discovered the work though a recording by Vladimir Horovitz in the 1980s, and got to play it to and discuss the work with Horowitz in Paris in 1985. Like Horovitz before him, Jean-Efflam combines elements from both the original and revised versions of the work on this recording. Bavouzet has chosen to couple this with another early work – the “Faschinsschwank aus Wein” – and then the much later work the “Drei Fantasiestücke”. He closes with the 'Gesange der Frühe' which were among the last compositions that Schumann wrote before his attempted suicide and incarceration in February 1854. As always with Jean-Efflam Bavouzet’s albums, the booklet features an insightful personal note by the performer.
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01. Piano Sonata No. 3 in F Minor, Op. 14 "Concerto Without Orchestra" (Arr. V. Horowitz for Piano): I. Allegro
02. Piano Sonata No. 3 in F Minor, Op. 14 "Concerto Without Orchestra" (Arr. V. Horowitz for Piano): II. Scherzo. Molto commodo
03. Piano Sonata No. 3 in F Minor, Op. 14 "Concerto Without Orchestra" (Arr. V. Horowitz for Piano): III. Quasi variazioni. Andantino de Clara Wieck
04. Piano Sonata No. 3 in F Minor, Op. 14 "Concerto Without Orchestra" (Arr. V. Horowitz for Piano): IV. Prestissimo possibile
05. Faschingsschwank aus Wien, Op. 26: I. Allegro. Sehr lebhaft
06. Faschingsschwank aus Wien, Op. 26: II. Romanze. Ziemlich langsam
07. Faschingsschwank aus Wien, Op. 26: III. Scherzino
08. Faschingsschwank aus Wien, Op. 26: IV. Intermezzo. Mit größter Energie
09. Faschingsschwank aus Wien, Op. 26: V. Finale. Höchst lebhaft
10. 3 Fantasiestücke, Op. 111: No. 1, Sehr rasch, mit leidenschaftlichem Vortrag
11. 3 Fantasiestücke, Op. 111: No. 2, Ziemlich langsam
12. 3 Fantasiestücke, Op. 111: No. 3, Kräftig und sehr markiert
13. Gesänge der Frühe, Op. 133: No. 1, Im ruhigen Tempo
14. Gesänge der Frühe, Op. 133: No. 2, Belebt, nicht zu rasch
15. Gesänge der Frühe, Op. 133: No. 3, Lebhaft
16. Gesänge der Frühe, Op. 133: No. 4, Bewegt
17. Gesänge der Frühe, Op. 133: No. 5, Im Anfange ruhiges, im Verlauf bewegtes Tempo
Following his recent acclaimed recordings of Haydn and Beethoven Sonatas, Jean-Efflam Bavouzet turns from the Classical to the Romantic era, and the works of Schumann. The programme is built around the Grand Sonata (no.3). This impressive, large-scale work was originally composed in 1834, later revised in 1853 and eventually premiered (6 years after the composer’s death) by Schumann’s young protégé Johannes Brahms. Jean-Efflam first discovered the work though a recording by Vladimir Horovitz in the 1980s, and got to play it to and discuss the work with Horowitz in Paris in 1985. Like Horovitz before him, Jean-Efflam combines elements from both the original and revised versions of the work on this recording. Bavouzet has chosen to couple this with another early work – the “Faschinsschwank aus Wein” – and then the much later work the “Drei Fantasiestücke”. He closes with the 'Gesange der Frühe' which were among the last compositions that Schumann wrote before his attempted suicide and incarceration in February 1854. As always with Jean-Efflam Bavouzet’s albums, the booklet features an insightful personal note by the performer.
Year 2019 | Classical | FLAC / APE | HD & Vinyl
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