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Endellion String Quartet - Barber: String Quartet, Serenade, Dover Beach & Songs (2009)

Endellion String Quartet - Barber: String Quartet, Serenade, Dover Beach & Songs (2009)
  • Title: Barber: String Quartet, Serenade, Dover Beach & Songs
  • Year Of Release: 2009
  • Label: Warner Classics
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 01:11:30
  • Total Size: 291 Mb
  • WebSite:
Tracklist:

1. Dover Beach, Op.3
2. Serenade Op. 1: I. Un Poco Adagio - Allegro Con Spirito
3. Serenade Op. 1: II. Andante Con Moto
4. Serenade Op. 1: III. Dance (Allegro Giocoso)
5. 3 Songs Op. 2: The Daisies (James Stephens)
6. 3 Songs Op. 2: With Rue My Heart Is laden (A. E. Housman)
7. 3 Songs, Op.2: Bessie Bobtail (James Stephens)
8. 3 Songs Op. 10 (James Joyce): Rain Has Fallen
9. 3 Songs Op. 10 (James Joyce): Sleep Now
10. 3 Songs Op. 10 (James Joyce): I Hear An Army
11. 4 Songs Op. 13: III. Sure On This Shining Night (James Agee)
12. 4 Songs, Op.13: IV. Nocturne (Frederic Prokosch)
13. 3 Songs Op. 45: Now Have I Fed And Eaten Up The Rose (James Joyce/Gottfried Keller)
14. 3 Songs Op. 45: A Green Lowland Of Pianos (Czeslaw Milosz/Jerzy Harasymowicz)
15. 3 Songs, Op.45: O Boundless, Boundless Evening (Christopher Middleton/Georg Heym)
16. String Quartet Op. 11: I. Molto Allegro E Appassionato
17. String Quartet, Op.11: II. Adagio
18. String Quartet Op. 11: III. Molto Adagio - Presto
19. Despite And Still, Op.41: A Last Song
20. Despite And Still, Op.41: My Lizard (Wish For A Young Love)
21. Despite And Still, Op.41: In The Wilderness
22. Despite And Still, Op.41: Solitary Hotel
23. Despite And Still, Op.41: Despite And Still

Performers:
Endellion String Quartet

Although he wrote two large scale operas, two symphonies and a concerto each for violin, cello and piano, the majority of Barber's compositions were on a much smaller scale. This collection of songs and chamber pieces contains some of his earliest work, dating from 1928 to 1940, with two groups of songs from 1968 and 1972 respectively.
The Adagio movement of the String Quartet from 1936 has, in its version for string orchestra, become one of the most popular works by an American composer. Here is an opportunity to hear it as Barber originally intended, and the intimacy brought to it by a smaller ensemble lends it a greater intensity.
Barber was a fine composer for the voice and his output of songs was prolific. Dover Beach, to words by Matthew Arnold, is one of Barber's finest compositions and it is beautifully sung here by Thomas Allen.





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