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Bartosz Kruczynski - Selected Media 2016 - 2018 (2019)

Bartosz Kruczynski - Selected Media 2016 - 2018 (2019)

BAND/ARTIST: Bartosz Kruczynski

Tracklist
1. I (02:49)
2. II (02:14)
3. III (02:04)
4. IV (03:46)
5. V (03:53)
6. VI (03:30)
7. VII (04:05)
8. VIII (02:56)
9. IX (02:37)
10. X (02:15)
11. XI (03:18)
12. XII (03:57)
13. XIII (03:02)
14. XIV (02:04)
15. XV (02:40)


Emotional Response is delighted to present a special project, a collection of music from Bartosz Kruczynski, recorded for “Selected Media” and presented here as a time-piece of his continuing works.

Initially known as one half of sample based project Ptaki (The Very Polish Cut Outs / Transatlantyk), Kruczynski first appeared for Emotional Response as The Phantom for the first series of Schleißen in 2015. Featuring two works of deep ‘fourth world’ sounds, they highlighted a shift to more mellow, synthetic and hazy compositions.

His break out came, however, when he explored this sound further on his eponymous album Baltic Beat, for the acclaimed Growing Bin Records. This has been augmented with the recent club based music as one half of the wonderful Earth Trax (Rhythm Section International / Phonica Records) project.

Here though, Kruczynski returns to the ambient and ethereal - plus a touch of dub techno - to showcase his expansive collaborative work with Polish studio, TVP Culture. Given free artistic license, the 15 ‘short form’ recordings included here were for programming, in the main, on modern Polish Art including the likes of Magdalena Abakanowicz, Miroslaw Balka and Tadeusz Kantor, as well as some international aspects for Enrico Prampolini, Ai Weiwei and Monica Bonvicini.

Taken from over 70 episodes the material included recollects imagery, video and memory to present a series of short vignettes that together create one whole. Minimal and hazy ambience (I, V, VII, VIII, XI, XII) envisages classic melodies and chords and is accompanied by further ‘fourth world’ pieces (II, III, VII, X) that present an oeuvre that is recognisably the music of Kruczynski, while remaining fresh and perfectly meditative.

A counter can be found in the atmospheric dub works (IV, IX, XIV) that hint at echo chamber environs to get infinitely lost in. As an album then, “Selected Media” can be heard as a snapshot to Kruczynski’s music journey, a meeting of art and music that is oft overlooked but very much essential.



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