Doulce Mémoire & Denis Raisin Dadre - Cabezón Obras de Musica (2013) [Hi-Res]
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BAND/ARTIST: Doulce Mémoire, Denis Raisin Dadre
- Title: Cabezón Obras de Musica
- Year Of Release: 2013
- Label: Ricercar
- Genre: Classical
- Quality: flac lossless / flac 24bits - 88.2kHz +booklet
- Total Time: 01:04:16
- Total Size: 295 / 1021 mb
- WebSite: Album Preview
Tracklist
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01. Ultimi miei sospiri (Arranged by Antonio de Cabezón)
02. Ultimi miei sospiri
03. Diferencias Sobre el Canto de "La Dama le Demanda"
04. Je prens en gre la dure mort
05. Je prens en gre la dure mort I (Arranged by Antonio de Cabezón)
06. Pour un plaisir (Arranged by Antonio de Cabezón)
07. Susanne ung jour
08. Susanne ung jour
09. Duuiensela
10. Dont vient cela
11. Doulce mémoire (Arranged by Hernando de Cabezón)
12. Ancor che col partire
13. Diferencias Sobre la Gallarda Milanesa
14. Prenez pitié
15. Prenez pitié (Arranged by Antonio de Cabezón)
16. Je prens en gre la dure mort II (Arranged by Antonio de Cabezón)
17. Dormendo un giorno (Arranged by Antonio de Cabezón)
18. Diferencias Sobre el Canto del Cavallero
19. Un gay bergier (Arranged by Antonio de Cabezón)
20. Qui la dira la peine de mon cœur
21. Qui la dira la peine de mon cœur (Arranged by Antonio de Cabezón)
22. Ardenti miei sospiri (Arranged by Antonio de Cabezón)
Hernando de Cabezón, the son of the renowned organist Antonio de Cabezón, published a vast anthology of his father’s compositions under the title of Obras de Musica para tecla, arpa y vihuela. For keyboard and plucked string instruments, these pieces include works in every genre of the period, both sacred and secular, and perfectly written for four, five or six parts. In accordance with a performance practice common from the time of the Renaissance onwards, the musicians of Doulce Mémoire divide the works’ polyphonic lines between the instruments of the ensemble.
They decided to choose only secular works, these being ornamented pieces based on various songs and madrigals, of which Suzanne un jour and Anchor che col partire were amongst the most popular of the Renaissance period. Each part of these works has its own individual expression; our realisation of them also benefits from even larger powers of expression and the virtuoso writing that is tailored to each separate part. The original works on which the ornamented versions are based are also recorded here, sung by Clara Coutouly with a delightful accompaniment of plucked string instruments. This release has been made possible by a collaboration with the Festival de Musique in Maguelone.
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01. Ultimi miei sospiri (Arranged by Antonio de Cabezón)
02. Ultimi miei sospiri
03. Diferencias Sobre el Canto de "La Dama le Demanda"
04. Je prens en gre la dure mort
05. Je prens en gre la dure mort I (Arranged by Antonio de Cabezón)
06. Pour un plaisir (Arranged by Antonio de Cabezón)
07. Susanne ung jour
08. Susanne ung jour
09. Duuiensela
10. Dont vient cela
11. Doulce mémoire (Arranged by Hernando de Cabezón)
12. Ancor che col partire
13. Diferencias Sobre la Gallarda Milanesa
14. Prenez pitié
15. Prenez pitié (Arranged by Antonio de Cabezón)
16. Je prens en gre la dure mort II (Arranged by Antonio de Cabezón)
17. Dormendo un giorno (Arranged by Antonio de Cabezón)
18. Diferencias Sobre el Canto del Cavallero
19. Un gay bergier (Arranged by Antonio de Cabezón)
20. Qui la dira la peine de mon cœur
21. Qui la dira la peine de mon cœur (Arranged by Antonio de Cabezón)
22. Ardenti miei sospiri (Arranged by Antonio de Cabezón)
Hernando de Cabezón, the son of the renowned organist Antonio de Cabezón, published a vast anthology of his father’s compositions under the title of Obras de Musica para tecla, arpa y vihuela. For keyboard and plucked string instruments, these pieces include works in every genre of the period, both sacred and secular, and perfectly written for four, five or six parts. In accordance with a performance practice common from the time of the Renaissance onwards, the musicians of Doulce Mémoire divide the works’ polyphonic lines between the instruments of the ensemble.
They decided to choose only secular works, these being ornamented pieces based on various songs and madrigals, of which Suzanne un jour and Anchor che col partire were amongst the most popular of the Renaissance period. Each part of these works has its own individual expression; our realisation of them also benefits from even larger powers of expression and the virtuoso writing that is tailored to each separate part. The original works on which the ornamented versions are based are also recorded here, sung by Clara Coutouly with a delightful accompaniment of plucked string instruments. This release has been made possible by a collaboration with the Festival de Musique in Maguelone.
Classical | FLAC / APE | HD & Vinyl
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