Cecilia Zilliacus & Lena Willemark - Dansa (2016) [Hi-Res]
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BAND/ARTIST: Cecilia Zilliacus, Lena Willemark
- Title: Dansa
- Year Of Release: 2016
- Label: BIS
- Genre: Classical
- Quality: flac lossless / flac 24bits - 96.0kHz +booklet
- Total Time: 01:17:37
- Total Size: 366 mb/ 1.3 gb
- WebSite: Album Preview
Tracklist
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01. Violin Partita No. 2 in D Minor, BWV 1004: I. Allemande
02. Befiehl du deine Wege
03. Violin Partita No. 2 in D Minor, BWV 1004: II. Courante
04. Wo soll ich fliehen hin
05. Violin Partita No. 2 in D Minor, BWV 1004: III. Sarabande
06. Violin Partita No. 2 in D Minor, BWV 1004: IV. Giga
07. Violin Partita No. 2 in D Minor, BWV 1004: V. Ciaccona (arr. H. Thoene for voice and violin)
08. Sonata for Solo Violin: I. Lento
09. Sonata for Solo Violin: II. Andante largo
10. Sonata for Solo Violin: III. Moderato misterioso
11. Sonata for Solo Violin: IV. The Three-Headed Ostrich: Allegro moderato
12. Sonata for Solo Violin: V. Siciliano
13. Sonata for Solo Violin: VI. Presto
14. Sonata for Solo Violin: VII. Lento
15. Dansa: No. 1. Fore (Before)
16. Dansa: No. 2. Dansa (Dance)
17. Dansa: No. 3. Mellan I (Between I)
18. Dansa: No. 4. O dansa (Oh Dance)
19. Dansa: No. 5. Mellan II (Between II)
20. Dansa: No. 6. Dansa grymheten (Dance Cruelty)
21. Dansa: No. 7. Efter (after)
Two of Sweden's most highly respected musicians, each in their own field, join forces on this very special disc. Classical violinist Cecilia Zilliacus has won acclaim for her recordings in magazines such as The Strad and Gramophone (Editor’s Choice), and folk musician Lena Willemark is a fixture on the Scandinavian folk and world music scene. The two open their highly original programme with Bach’s Partita in D minor in a version for voice and violin. This duo version is based on the research of the musicologist Helga Thoene, who has proposed that the celebrated Chaconne which closes the partita was written in response to the death of the composer’s first wife. Woven into Bach’s violin part are numerous quotations from various chorales, from which Willemark has devised a vocal part which she performs drawing on the strong tradition of chorale singing in Swedish folk music.
Together with Cecilia Zilliacus’s violin, the clear attacks and straight-toned and direct style of singing form a final farewell, by turns dramatic and serene, to a loved companion. In order to expand their common repertoire, the two musicians approached the composer Sven-David Sandström in 2011. The result was Dansa (‘Dance’), a scene in seven sections to a text by the poet Maria Wine. Having collaborated previously with both performers, Sandström includes improvisatory passages and provides rich opportunities for the folk musician Lena Willemark to make her imprint on the music, including asking her to change over to the fiddle in one of the sections. Between these two works Cecilia Zilliacus performs a solo sonata written for her by Svante Henryson. In the course of seven movements the piece reflects the versatility of its composer, with a background in jazz, classical music and heavy metal, and allows Zilliacus to display the many facets of her own musicianship.
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01. Violin Partita No. 2 in D Minor, BWV 1004: I. Allemande
02. Befiehl du deine Wege
03. Violin Partita No. 2 in D Minor, BWV 1004: II. Courante
04. Wo soll ich fliehen hin
05. Violin Partita No. 2 in D Minor, BWV 1004: III. Sarabande
06. Violin Partita No. 2 in D Minor, BWV 1004: IV. Giga
07. Violin Partita No. 2 in D Minor, BWV 1004: V. Ciaccona (arr. H. Thoene for voice and violin)
08. Sonata for Solo Violin: I. Lento
09. Sonata for Solo Violin: II. Andante largo
10. Sonata for Solo Violin: III. Moderato misterioso
11. Sonata for Solo Violin: IV. The Three-Headed Ostrich: Allegro moderato
12. Sonata for Solo Violin: V. Siciliano
13. Sonata for Solo Violin: VI. Presto
14. Sonata for Solo Violin: VII. Lento
15. Dansa: No. 1. Fore (Before)
16. Dansa: No. 2. Dansa (Dance)
17. Dansa: No. 3. Mellan I (Between I)
18. Dansa: No. 4. O dansa (Oh Dance)
19. Dansa: No. 5. Mellan II (Between II)
20. Dansa: No. 6. Dansa grymheten (Dance Cruelty)
21. Dansa: No. 7. Efter (after)
Two of Sweden's most highly respected musicians, each in their own field, join forces on this very special disc. Classical violinist Cecilia Zilliacus has won acclaim for her recordings in magazines such as The Strad and Gramophone (Editor’s Choice), and folk musician Lena Willemark is a fixture on the Scandinavian folk and world music scene. The two open their highly original programme with Bach’s Partita in D minor in a version for voice and violin. This duo version is based on the research of the musicologist Helga Thoene, who has proposed that the celebrated Chaconne which closes the partita was written in response to the death of the composer’s first wife. Woven into Bach’s violin part are numerous quotations from various chorales, from which Willemark has devised a vocal part which she performs drawing on the strong tradition of chorale singing in Swedish folk music.
Together with Cecilia Zilliacus’s violin, the clear attacks and straight-toned and direct style of singing form a final farewell, by turns dramatic and serene, to a loved companion. In order to expand their common repertoire, the two musicians approached the composer Sven-David Sandström in 2011. The result was Dansa (‘Dance’), a scene in seven sections to a text by the poet Maria Wine. Having collaborated previously with both performers, Sandström includes improvisatory passages and provides rich opportunities for the folk musician Lena Willemark to make her imprint on the music, including asking her to change over to the fiddle in one of the sections. Between these two works Cecilia Zilliacus performs a solo sonata written for her by Svante Henryson. In the course of seven movements the piece reflects the versatility of its composer, with a background in jazz, classical music and heavy metal, and allows Zilliacus to display the many facets of her own musicianship.
Year 2016 | Classical | FLAC / APE | HD & Vinyl
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