Wiener Symphoniker, Philippe Jordan - Beethoven Symphonies Nos. 4 & 5 (2018) [Hi-Res]
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BAND/ARTIST: Wiener Symphoniker, Philippe Jordan
- Title: Beethoven Symphonies Nos. 4 & 5
- Year Of Release: 2018
- Label: Wiener Symphoniker
- Genre: Classical
- Quality: flac 24bits - 96.0kHz +booklet
- Total Time: 01:06:19
- Total Size: 1.1 gb
- WebSite: Album Preview
Tracklist
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01. Symphony No. 4 In B-flat Major, Op. 60: I. Adagio-Allegro vivace
02. Symphony No. 4 In B-flat Major, Op. 60: II. Adagio
03. Symphony No. 4 In B-flat Major, Op. 60: III. Menuetto: Allegro vivace
04. Symphony No. 4 In B-flat Major, Op. 60: IV. Allegro ma non troppo
05. Symphony No. 5 in C minor, Op. 67: I. Allegro con brio
06. Symphony No. 5 in C minor, Op. 67: II. Andante con moto
07. Symphony No. 5 in C minor, Op. 67: III. Allegro
08. Symphony No. 5 in C minor, Op. 67: IV. Allegro
In February 2018, the Wiener Symphoniker and their Music Director Philippe Jordan present the second album in their first complete recording cycle of the Beethoven symphonies. With his Fifth Symphony, Beethoven created a true symphonic icon. It is as universally known as it is popular, even among people who do not much care for classical music, above all thanks to its powerful opening bars. In German it is known as the Schicksalssymphonie, “Fate” Symphony. Its parallels with its predecessor, the Fourth, are less prominent than those with, for example, its successor the Sixth. Nevertheless, the Fourth features many ideas that would only be fully elaborated in the Fifth. “The connection”, Jordan emphasises, “is more a matter of the spirit of the works, but is no less important for all that.”
That is why this latest album, distributed by SONY but under the Wiener Symphoniker’s in-house label, combines the Symphony No. 4 in B flat major, op. 60, with the Symphony No. 5 in C minor, op. 67. As with the first album in the enthusiastically received Road to Beethoven project, this recording was made live in the Golden Hall of the Musikverein as part of an acclaimed cycle during spring and summer 2017. International critics were especially pleased with Jordan’s approach, which combines Wiener Klang, the distinctive Viennese instrumental style, with a contemporary and pared-back interpretation while incorporating insights from historically informed performance and original tempi. But for Jordan, the content is the main focus: instead of venerating Beethoven the monument, he wants to show him in a “more natural, direct and human” way.
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01. Symphony No. 4 In B-flat Major, Op. 60: I. Adagio-Allegro vivace
02. Symphony No. 4 In B-flat Major, Op. 60: II. Adagio
03. Symphony No. 4 In B-flat Major, Op. 60: III. Menuetto: Allegro vivace
04. Symphony No. 4 In B-flat Major, Op. 60: IV. Allegro ma non troppo
05. Symphony No. 5 in C minor, Op. 67: I. Allegro con brio
06. Symphony No. 5 in C minor, Op. 67: II. Andante con moto
07. Symphony No. 5 in C minor, Op. 67: III. Allegro
08. Symphony No. 5 in C minor, Op. 67: IV. Allegro
In February 2018, the Wiener Symphoniker and their Music Director Philippe Jordan present the second album in their first complete recording cycle of the Beethoven symphonies. With his Fifth Symphony, Beethoven created a true symphonic icon. It is as universally known as it is popular, even among people who do not much care for classical music, above all thanks to its powerful opening bars. In German it is known as the Schicksalssymphonie, “Fate” Symphony. Its parallels with its predecessor, the Fourth, are less prominent than those with, for example, its successor the Sixth. Nevertheless, the Fourth features many ideas that would only be fully elaborated in the Fifth. “The connection”, Jordan emphasises, “is more a matter of the spirit of the works, but is no less important for all that.”
That is why this latest album, distributed by SONY but under the Wiener Symphoniker’s in-house label, combines the Symphony No. 4 in B flat major, op. 60, with the Symphony No. 5 in C minor, op. 67. As with the first album in the enthusiastically received Road to Beethoven project, this recording was made live in the Golden Hall of the Musikverein as part of an acclaimed cycle during spring and summer 2017. International critics were especially pleased with Jordan’s approach, which combines Wiener Klang, the distinctive Viennese instrumental style, with a contemporary and pared-back interpretation while incorporating insights from historically informed performance and original tempi. But for Jordan, the content is the main focus: instead of venerating Beethoven the monument, he wants to show him in a “more natural, direct and human” way.
Year 2018 | Classical | FLAC / APE | HD & Vinyl
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