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VA - ECM Selected Signs III - VIII (2014)

VA - ECM Selected Signs III - VIII (2014)

BAND/ARTIST: VA

  • Title: ECM Selected Signs III - VIII
  • Year Of Release: 2014
  • Label: ECM
  • Genre: Jazz, Classical
  • Quality: FLAC (tracks)
  • Total Time: 07:18:07
  • Total Size: 2,11 Gb
  • WebSite:
Tracklist:

CD 1
1 In einem alten Fahrstuhl (In an old elevator) (Heiner Goebbels)
02:12
Steve Reich - Music for 18 Musicians
2 Pulse - Sections I-X - Pulse 11:30
3 Fratres (for violin and piano) (Arvo Pärt) 11:24
Arvo Pärt - Tabula Rasa
4 I. Ludus 09:36
György Kurtág - Játékok
5 Aus der Ferne (To Alfred Schlee on his 80th birthday) 01:54
6 Gottes Zeit ist die allerbeste Zeit (Sonatina from Actus tragicus) BWV 106 (Johann Sebastian Bach) 02:18
7 Testament - Dedicated to Manfred Eicher (Tigran Mansurian) 04:56
8 Neharót Neharót (for viola, accordion, percussion, two string ensembles and tape) (Betty Olivero) 02:55
9 C.P.E. Bachs Empfindungen - Fantasie für Klavier fis-Moll (Carl Philipp Emanuel Bach) 11:32
Joseph Haydn - The Seven Last Words of our Saviour on the Cross op.51, Hob.III.50-56
10 IV. Largo 08:18
11 River (Public Domain) 00:26
12 Scared Song (Meredith Monk) 06:06
13 Der Chef (The Boss) (Heiner Goebbels) 01:37

CD 2
1 Hörstück II ('Ich möchte Ihnen einen Vorschlag machen...') (Hanns Eisler)
07:25 Giya Kancheli - Vom Winde beweint
2 Largo Molto 09:44
3 Funeral Canticle (excerpt) (John Taverner) 05:13
Dimitri Shostakovich - Streichquartett Nr. 15 op. 144
4 I. Elegie 11:44
5 Most Holy Mother of God (Arvo Pärt) 04:34
6 Tres morillas m'enamoran (Public Domain, Rogers Covey-Crump, Jan Garbarek, Gordon Jones, David James, Steven Harrold) 03:32
Dimitri Shostakovich - Chamber Symphony op. 110bis (Orchestration by Rudolf Barshai) (1967)
7 Largo 06:17 Valentin Silvestrov - Three Postludes (1981/82)
8 I. Postludium 'DSCH' 06:52
9 III. Postludium 04:15

CD 3
1 Voyage (Voyage to Cythera) (Eleni Karaindrou) 02:10
2 Closed Roads (Eleni Karaindrou) 05:36
3 Invocation (Who's Afraid of Virginia Woolf) (Eleni Karaindrou) 02:26
4 Tango of Love (Number Ten) (Eleni Karaindrou) 01:41
5 Tom's Theme (The Glass Menagerie) (Eleni Karaindrou) 01:35
6 Laura's Waltz (The Glass Menagerie) (Eleni Karaindrou) 03:22
7 Adagio (Landscape in the Mist) (Eleni Karaindrou) 03:49
8 After Memory (Eleni Karaindrou) 02:45
9 Farewell Theme (The Beekeeper) (Eleni Karaindrou) 04:27
10 Seeking Theme (Dust of Time) (Eleni Karaindrou) 02:18
11 Nostalgia Song (Number Ten) (Eleni Karaindrou) 02:26
12 Requiem for Willy Loman, var. (Death of a Salesman) (Eleni Karaindrou) 04:14
13 The Weeping Meadow (Eleni Karaindrou) 03:28
14 Memories (The Weeping Meadow) (Eleni Karaindrou) 02:43
15 Dis (Jan Garbarek) 07:52
16 O Andalusin (Amina Alaoui, Jon Balke) 02:26
17 Ashiyin Raïqin (Jon Balke, Amina Alaoui) 04:13
18 Passacaglia andaluz II (Rolf Lislevand) 02:15
19 Toccata (Rolf Lislevand) 02:38
20 Passacaglia cromatica (Rolf Lislevand) 01:52
21 Arpeggiata addio (Rolf Lislevand) 07:17

CD 4
1 Underwater (Andrey Dergatchev) 02:03
2 In The Bedroom (Andrey Dergatchev) 04:35
3 The Road (Andrey Dergatchev) 03:28
4 Mugam (Andrey Dergatchev) 02:14
5 Japan (Andrey Dergatchev) 02:10
6 Port (Andrey Dergatchev) 02:51
7 Rehearsal (Andrey Dergatchev) 03:28
8 Piano (Andrey Dergatchev) 02:59
9 Georgians (Andrey Dergatchev) 03:18
10 Final Titles (Andrey Dergatchev) 02:05
11 Wolf (Public Domain) 02:34
12 Khmer (Nils Petter Molvaer) 04:54
13 Tløn (Nils Petter Molvaer) 07:52
14 Access / Song Of Sand I (Nils Petter Molvaer) 05:51
15 On Stream (Nils Petter Molvaer) 05:01
16 Platonic Years (Nils Petter Molvaer) 06:33
17 Phum (Nils Petter Molvaer) 03:39
18 Song Of Sand II (Nils Petter Molvaer) 06:11
19 Close (For Comfort) (Eivind Aarset) 06:30

CD 5
1 Euphonia Elegy (Stefano Battaglia) 12:11
2 Celestial Food (Christian Fennesz, Iain Ballamy, Thomas Strønen) 04:24
3 Prelude (Tord Gustavsen) 02:48
4 Memoria e Fado (marrom) (Egberto Gismonti) 03:23
5 Like A Lover (Dori Caymmi) 04:10
6 Cradle Song (Hoy Nazan) (Komitas Vardapet) 04:33
7 Carta de Amor (Egberto Gismonti) 07:25
8 Baida (Ralph Alessi) 05:29
Vassilis Tsabropoulos - Trois Morceaux après des hymnes byzantins
9 I 05:00
10 II 04:52
11 Telepathy (Patrice Moret) 05:05
12 Solemn Mosquitoes (Christian Wallumrød) 05:10
13 Blop (Christian Wallumrød) 04:07
14 Song for Ania (Tomasz Stanko) 07:43

CD 6
Carla Bley - Fusion
1 Jesus Maria 06:13
2 Time Will Tell (Barre Phillips, Paul Bley, Evan Parker) 04:25
3 Mountainscape V (Barre Phillips, Stu Martin, Dieter Feichtner, John Surman) 04:50
4 Lonely Woman (Ornette Coleman) 12:18
5 The Four Points Are Thus Beheld (Ale Möller, Paul Dunmall, Robin Williamson) 06:20
6 Langt innpå skoga (Sinikka Langeland)
08:08
7 Psalm (Frode Haltli) 08:22
8 Voice from the Past (Gary Peacock) 11:05
9 Spiritual (John Coltrane) 08:15
10 Kulture Of Jazz (Wadada Leo Smith) 05:33
11 The World (Robin Williamson) 02:45

In the winter of 2012/2013, the Haus der Kunst in Munich held an exhibition entitled “ECM – A Cultural Archaeology.” It was much more than an overview of the story of a music label. Appropriate to the locale – the Haus der Kunst is one of the very most important exhibition venues for contemporary art – curators Okwui Enwezor and Markus Müller attempted to capture the company’s individuality and significance. Whereas the early years were central – the encounter of the artistic avant-garde with great demands on musical consciousness – the exhibition also provided a look at the aesthetic variety associated with ECM, from graphic art to film, from literature to theatre.

Manfred Eicher and Steve Lake created a series of recordings especially for the exhibition, in unitary form and packaged in a box. The idea was not so much to provide a soundtrack for a walk through the Haus der Kunst rooms (although that would have been possible) as to furnish an ideal commentary for the objects on display. At times, the commentary takes up some of the events and figures; more often, however, it develops topics, opens up other approaches to the music, brings it back to rudimentary acoustical experiences, and contrasts historical material with new recordings from entirely different musical contexts, thus creating a unique tour of ECM, as it was in the past and as it is now – pictures at an imaginary exhibition reflecting a musical cosmos.






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  • cutter67
  •  wrote in 01:45
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Many thanks

Much appreciated

Cutter