Royal Philharmonic Orchestra, Jac van Stehen & Boris Brott - Mozart Piano Concertos, K. 242, 365, 466 & 467 (2018) [Hi-Res]
![Royal Philharmonic Orchestra, Jac van Stehen & Boris Brott - Mozart Piano Concertos, K. 242, 365, 466 & 467 (2018) [Hi-Res]](https://www.dibpic.com/uploads/posts/2018-11/1542899299_folder.jpg)
BAND/ARTIST: Royal Philharmonic Orchestra, Jac van Stehen & Boris Brott
- Title: Mozart Piano Concertos, K. 242, 365, 466 & 467
- Year Of Release: 2018
- Label: SOMM Recordings
- Genre: Classical
- Quality: flac 24bits - 96.0kHz +booklet
- Total Time: 02:29:11
- Total Size: 2.3 gb
- WebSite: Album Preview
Tracklist
---------
CD1
01. Piano Concerto No. 20 in D Minor, K. 466: I. Allegro
02. Piano Concerto No. 20 in D Minor, K. 466: II. Romance
03. Piano Concerto No. 20 in D Minor, K. 466: III. Allegro assai
04. Piano Concerto No. 21 in C Major, K. 467 "Elvira Madigan": I. Allegro maestoso
05. Piano Concerto No. 21 in C Major, K. 467 "Elvira Madigan": II. Andante
06. Piano Concerto No. 21 in C Major, K. 467 "Elvira Madigan": III. Allegro vivace assai
07. Fantasia in C Minor, K. 396 (Arr. & Completed by M. Stadler for Piano)
CD2
01. Concerto for 2 Pianos in E-Flat Major, K. 365: I. Allegro
02. Concerto for 2 Pianos in E-Flat Major, K. 365: II. Andante
03. Concerto for 2 Pianos in E-Flat Major, K. 365: III. Allegro
04. Sonata for 2 Pianos in D Major, K. 448: I. Allegro con spirito
05. Sonata for 2 Pianos in D Major, K. 448: II. Andante
06. Sonata for 2 Pianos in D Major, K. 448: III. Allegro molto
07. Concerto for 3 Pianos in F Major, K. 242 "Lodron": I. Allegro
08. Concerto for 3 Pianos in F Major, K. 242 "Lodron": II. Adagio
09. Concerto for 3 Pianos in F Major, K. 242 "Lodron": III. Rondeau. Tempo di menuetto
Mozart’s progress from child prodigy to mature brilliance, from innocent insight to inspired innovation, is measured out in his piano music. Somm’s survey of six works for one, two and three pianos brilliantly charts both his phenomenal development and his far-reaching transformation of the concerto form. Two of today’s finest, most accomplished and admired pianists – Valerie Tryon and Peter Donohoe – bring unrivalled experience to bear in impeccable, incisive and illuminating accounts of the solo and duo works. The young, fast-rising Mishka Rushdie Momen joins them for the discretely dazzling Piano Concerto No.7 for three pianos. Three other concertos are featured. Composed for Mozart’s sister, Nannerl, the two-piano No.10 is a playful but challenging exercise in sibling rivalry. A favorite of Beethoven’s, No.20 is marked by a dark-hued drama and broiling emotional turbulence banished by its surprise sunny ending. Famously, it prompted Haydn to tell Mozart’s father, “Your son is the greatest composer whom I know in person or by reputation”. The Piano Concerto No.21 is distinguished by its melodic directness, guileless wit and the balletic interaction between piano and orchestra, its meltingly lyrical Andante popularised by its use in the 1967 film Elvira Madigan and American pop star Neil Diamond’s 1972 chart hit, Song Sung Blue. Echoing the galant style of the Seventh Piano Concerto, the ebullient, lyrical and bright Sonata for Two Pianos in D pulls and pushes the focus between the two instruments in music of delightfully genial resourcefulness. Composed a year later, the Fantasia in C minor for solo piano boasts a cornucopia of mesmerising effects as it spins the piano line into altogether idiomatic flights of dark-toned fantasy richly realised by Valerie Tryon.
---------
CD1
01. Piano Concerto No. 20 in D Minor, K. 466: I. Allegro
02. Piano Concerto No. 20 in D Minor, K. 466: II. Romance
03. Piano Concerto No. 20 in D Minor, K. 466: III. Allegro assai
04. Piano Concerto No. 21 in C Major, K. 467 "Elvira Madigan": I. Allegro maestoso
05. Piano Concerto No. 21 in C Major, K. 467 "Elvira Madigan": II. Andante
06. Piano Concerto No. 21 in C Major, K. 467 "Elvira Madigan": III. Allegro vivace assai
07. Fantasia in C Minor, K. 396 (Arr. & Completed by M. Stadler for Piano)
CD2
01. Concerto for 2 Pianos in E-Flat Major, K. 365: I. Allegro
02. Concerto for 2 Pianos in E-Flat Major, K. 365: II. Andante
03. Concerto for 2 Pianos in E-Flat Major, K. 365: III. Allegro
04. Sonata for 2 Pianos in D Major, K. 448: I. Allegro con spirito
05. Sonata for 2 Pianos in D Major, K. 448: II. Andante
06. Sonata for 2 Pianos in D Major, K. 448: III. Allegro molto
07. Concerto for 3 Pianos in F Major, K. 242 "Lodron": I. Allegro
08. Concerto for 3 Pianos in F Major, K. 242 "Lodron": II. Adagio
09. Concerto for 3 Pianos in F Major, K. 242 "Lodron": III. Rondeau. Tempo di menuetto
Mozart’s progress from child prodigy to mature brilliance, from innocent insight to inspired innovation, is measured out in his piano music. Somm’s survey of six works for one, two and three pianos brilliantly charts both his phenomenal development and his far-reaching transformation of the concerto form. Two of today’s finest, most accomplished and admired pianists – Valerie Tryon and Peter Donohoe – bring unrivalled experience to bear in impeccable, incisive and illuminating accounts of the solo and duo works. The young, fast-rising Mishka Rushdie Momen joins them for the discretely dazzling Piano Concerto No.7 for three pianos. Three other concertos are featured. Composed for Mozart’s sister, Nannerl, the two-piano No.10 is a playful but challenging exercise in sibling rivalry. A favorite of Beethoven’s, No.20 is marked by a dark-hued drama and broiling emotional turbulence banished by its surprise sunny ending. Famously, it prompted Haydn to tell Mozart’s father, “Your son is the greatest composer whom I know in person or by reputation”. The Piano Concerto No.21 is distinguished by its melodic directness, guileless wit and the balletic interaction between piano and orchestra, its meltingly lyrical Andante popularised by its use in the 1967 film Elvira Madigan and American pop star Neil Diamond’s 1972 chart hit, Song Sung Blue. Echoing the galant style of the Seventh Piano Concerto, the ebullient, lyrical and bright Sonata for Two Pianos in D pulls and pushes the focus between the two instruments in music of delightfully genial resourcefulness. Composed a year later, the Fantasia in C minor for solo piano boasts a cornucopia of mesmerising effects as it spins the piano line into altogether idiomatic flights of dark-toned fantasy richly realised by Valerie Tryon.
Year 2018 | Classical | FLAC / APE | HD & Vinyl
As a ISRA.CLOUD's PREMIUM member you will have the following benefits:
- Unlimited high speed downloads
- Download directly without waiting time
- Unlimited parallel downloads
- Support for download accelerators
- No advertising
- Resume broken downloads