Danish National Vocal Ensemble & Marcus Creed - The Secret Mass: Choral Works by Frank Martin & Bohuslav Martinů (2018) [Hi-Res]
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BAND/ARTIST: Danish National Vocal Ensemble, Marcus Creed
- Title: The Secret Mass: Choral Works by Frank Martin & Bohuslav Martinů
- Year Of Release: 2018
- Label: OUR Recordings
- Genre: Classical
- Quality: flac lossless / flac 24bits - 192kHz +booklet
- Total Time: 01:04:17
- Total Size: 277 mb / 1.4 gb
- WebSite: Album Preview
Tracklist
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01. Mass for Double Choir: I. Kyrie
02. Mass for Double Choir: II. Gloria
03. Mass for Double Choir: III. Credo
04. Mass for Double Choir: IV. Sanctus
05. Mass for Double Choir: V. Agnus Dei
06. 4 Songs of the Virgin Mary, H. 235: No. 1, The Annunciation
07. 4 Songs of the Virgin Mary, H. 235: No. 2, A Dream
08. 4 Songs of the Virgin Mary, H. 235: No. 3, Our Lady's Breakfast
09. 4 Songs of the Virgin Mary, H. 235: No. 4, The Virgin Mary's Picture
10. Songs of Ariel: No. 1, Come unto These Yellow Sands
11. Songs of Ariel: No. 2, Full Fathom Five
12. Songs of Ariel: No. 3, Before You Can Say Come and Go
13. Songs of Ariel: No. 4, You Are Three Men of Sin
14. Songs of Ariel: No. 5, Where the Bee Sucks, There Suck I
15. Romance of the Dandelions, H. 364
Composers
Martin, Frank (1890-1974)
Martinu, Bohuslav (1890-1959)
The centrepiece of this album is Martin's towering masterwork, the Mass for Double Choir. Originally completed in 1926, Martin did not allow the work to be performed until 1963. After its premiere he explained: 'I felt that a personal expression of religious belief should remain secret and hidden from public opinion.' Thankfully Martin decided to share his secret; his Mass has become one of the 20th century's most powerful works composed for a cappella choir. For Swiss-born Martin, his musical breakthrough came early in life when he heard a performance of Bach's St. Matthew Passion. His musical language draws on a wide variety of in?uences, including Renaissance polyphony, Hindemithian extended tonality and traces of Schoenberg's twelve-tone system, but above all, Bach. In contrast, the urbane, cosmopolitan Martinu was a stylistic butter?y, and a bit of a late bloomer. One can easily hear traces of impressionism and Stravinskian neoclassicism throughout his mature style, but in his ?nest moments, Martinu embraces the love of folklore that inspired his elder countryman, Leos Janacek.
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01. Mass for Double Choir: I. Kyrie
02. Mass for Double Choir: II. Gloria
03. Mass for Double Choir: III. Credo
04. Mass for Double Choir: IV. Sanctus
05. Mass for Double Choir: V. Agnus Dei
06. 4 Songs of the Virgin Mary, H. 235: No. 1, The Annunciation
07. 4 Songs of the Virgin Mary, H. 235: No. 2, A Dream
08. 4 Songs of the Virgin Mary, H. 235: No. 3, Our Lady's Breakfast
09. 4 Songs of the Virgin Mary, H. 235: No. 4, The Virgin Mary's Picture
10. Songs of Ariel: No. 1, Come unto These Yellow Sands
11. Songs of Ariel: No. 2, Full Fathom Five
12. Songs of Ariel: No. 3, Before You Can Say Come and Go
13. Songs of Ariel: No. 4, You Are Three Men of Sin
14. Songs of Ariel: No. 5, Where the Bee Sucks, There Suck I
15. Romance of the Dandelions, H. 364
Composers
Martin, Frank (1890-1974)
Martinu, Bohuslav (1890-1959)
The centrepiece of this album is Martin's towering masterwork, the Mass for Double Choir. Originally completed in 1926, Martin did not allow the work to be performed until 1963. After its premiere he explained: 'I felt that a personal expression of religious belief should remain secret and hidden from public opinion.' Thankfully Martin decided to share his secret; his Mass has become one of the 20th century's most powerful works composed for a cappella choir. For Swiss-born Martin, his musical breakthrough came early in life when he heard a performance of Bach's St. Matthew Passion. His musical language draws on a wide variety of in?uences, including Renaissance polyphony, Hindemithian extended tonality and traces of Schoenberg's twelve-tone system, but above all, Bach. In contrast, the urbane, cosmopolitan Martinu was a stylistic butter?y, and a bit of a late bloomer. One can easily hear traces of impressionism and Stravinskian neoclassicism throughout his mature style, but in his ?nest moments, Martinu embraces the love of folklore that inspired his elder countryman, Leos Janacek.
Year 2018 | Classical | FLAC / APE | HD & Vinyl
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