Virtuosi Italiani & Franz Hauk - Mayr: Venetian Solo Motets (2018) [Hi-Res]
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BAND/ARTIST: Virtuosi Italiani, Franz Hauk
- Title: Mayr: Venetian Solo Motets
- Year Of Release: 2018
- Label: Naxos
- Genre: Classical
- Quality: flac lossless / flac 24bits - 96.0kHz
- Total Time: 01:01:32
- Total Size: 296 mb
- WebSite: Album Preview
Tracklist
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01. Regina coeli in G Major
02. Exsurge, anima in D Major: Recitativo. Exsurge, anima
03. Exsurge, anima in D Major: Aria. Redi, spes amata
04. Exsurge, anima in D Major: Aria. Laetabunda exsultabis
05. Salve Regina in F Major
06. Me miserum, quid hoc in C Minor: Recitativo. Heu, qualis horror
07. Me miserum, quid hoc in C Minor: Aria. Aurae placidae spirate
08. Me miserum, quid hoc in C Minor: Aria. Quo fugisti desolata
09. Me miserum, quid hoc in C Minor: Aria. Concentu harmonico late exultando
10. Salve Regina in B-Flat Major
11. O Deus, quot me circumdant in E-Flat Major: Recitativo. O Deus, quot me circumdant
12. O Deus, quot me circumdant in E-Flat Major: Aria. A reo languor oppressus
13. O Deus, quot me circumdant in E-Flat Major: Aria. Grato murmure spirando
14. O Deus, quot me circumdant in E-Flat Major: In dulci jubilo
15. Salve Regina in C Major
16. Qual colpa eterno Dio in C Minor
Johann Simon Mayr became one of the most popular opera composers in Europe in the period preceding Rossini, but his younger career in the last decades of the 18th century was largely as a church musician, dividing his time between his native Bergamo and Venice. Often taking the form of small-scale religious operas, his Venetian solo motets were tailor-made for the singers of the day, with notable results, as can be heard in the soaring expressiveness of ‘Exsurge, anima,’ the cavatina-style melodies of ‘O Deus, quot me circumdant,’ and the contrasting atmospheres of fear, dread and serenity in ‘Qual colpa eterno Dio.’ Franz Hauk is the world’s leading expert and exponent of the music of Johann Simon Mayr, and his numerous new editions and recordings of operatic and other vocal works by this composer is internationally recognized as highly significant: “Naxos’s project of recording the major works of Simon Mayr is an extremely important event, introducing to most of us a composer of genuine individuality and importance.” (Fanfare on the cantata Arianna in Nasso) All of the soloists here have a close association with Franz Hauk’s Simon Mayr project, and each have successful performing and recording careers.
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01. Regina coeli in G Major
02. Exsurge, anima in D Major: Recitativo. Exsurge, anima
03. Exsurge, anima in D Major: Aria. Redi, spes amata
04. Exsurge, anima in D Major: Aria. Laetabunda exsultabis
05. Salve Regina in F Major
06. Me miserum, quid hoc in C Minor: Recitativo. Heu, qualis horror
07. Me miserum, quid hoc in C Minor: Aria. Aurae placidae spirate
08. Me miserum, quid hoc in C Minor: Aria. Quo fugisti desolata
09. Me miserum, quid hoc in C Minor: Aria. Concentu harmonico late exultando
10. Salve Regina in B-Flat Major
11. O Deus, quot me circumdant in E-Flat Major: Recitativo. O Deus, quot me circumdant
12. O Deus, quot me circumdant in E-Flat Major: Aria. A reo languor oppressus
13. O Deus, quot me circumdant in E-Flat Major: Aria. Grato murmure spirando
14. O Deus, quot me circumdant in E-Flat Major: In dulci jubilo
15. Salve Regina in C Major
16. Qual colpa eterno Dio in C Minor
Johann Simon Mayr became one of the most popular opera composers in Europe in the period preceding Rossini, but his younger career in the last decades of the 18th century was largely as a church musician, dividing his time between his native Bergamo and Venice. Often taking the form of small-scale religious operas, his Venetian solo motets were tailor-made for the singers of the day, with notable results, as can be heard in the soaring expressiveness of ‘Exsurge, anima,’ the cavatina-style melodies of ‘O Deus, quot me circumdant,’ and the contrasting atmospheres of fear, dread and serenity in ‘Qual colpa eterno Dio.’ Franz Hauk is the world’s leading expert and exponent of the music of Johann Simon Mayr, and his numerous new editions and recordings of operatic and other vocal works by this composer is internationally recognized as highly significant: “Naxos’s project of recording the major works of Simon Mayr is an extremely important event, introducing to most of us a composer of genuine individuality and importance.” (Fanfare on the cantata Arianna in Nasso) All of the soloists here have a close association with Franz Hauk’s Simon Mayr project, and each have successful performing and recording careers.
Year 2018 | Classical | FLAC / APE | HD & Vinyl
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