Anna Wall, Lisandro Abadie, Orchestre Musique des Lumières & Facundo Agudin - Bach Mirror (2017) [Hi-Res]
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BAND/ARTIST: Anna Wall, Lisandro Abadie, Orchestre Musique des Lumières, Facundo Agudin
- Title: Bach Mirror
- Year Of Release: 2017
- Label: IBS Classical
- Genre: Classical
- Quality: flac lossless / flac 24bits - 48.0kHz
- Total Time: 00:53:45
- Total Size: 246 / 554 mb
- WebSite: Album Preview
Tracklist
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01. Nymphes des bois (Arr. for Orchestra)
02. Vergnügte Ruh, beliebte Seelenlust, BWV 170: Vergnügte Ruh, beliebte Seelenlust
03. Vergnügte Ruh, beliebte Seelenlust, BWV 170: Die Welt, das Sündenhaus
04. Vergnügte Ruh, beliebte Seelenlust, BWV 170: Wie jammern mich doch die verkehrten Herzen
05. Vergnügte Ruh, beliebte Seelenlust, BWV 170: Wer sollte sich demnach
06. Vergnügte Ruh, beliebte Seelenlust, BWV 170: Mir ekelt mehr zu leben
07. Ye Sacred Muses
08. Cantata, BWV 82: Ich habe genug
09. Cantata, BWV 82: Ich habe genug! Mein Trost ist nur allein
10. Cantata, BWV 82: Schlummert ein, ihr matten Augen
11. Cantata, BWV 82: Mein Gott! Wann kömmt das schöne
12. Cantata, BWV 82: Ich freue mich auf meinen Tod
In this album, the cantatas BWV 170 and BWV 82 are hailed by two transcriptions: two polyphonic works by Josquin Desprez and William Byrd appear here in the manner of two ancient Bach “faces”. Heaven appears here as a territory of inspiration, a realm of Contented peace, beloved delight of the soul (BWV 170). These four works reflect in one inspirational mirror: the topic of the final departure and the farewell to the departed Master. This vision of the Hereafter provides a space of harmony in which both cantatas connect, as an echo of the mysterious scene of the presentation of Jesus in the temple. Bach Mirror does not address a particular type of audience. Together with Orchestre Musique des Lumières and IBS Classical, we aimed to renew our own views on diferent landscapes of the “grand répertoire”. Our reading simply intends to appeal to any curious music lover.
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01. Nymphes des bois (Arr. for Orchestra)
02. Vergnügte Ruh, beliebte Seelenlust, BWV 170: Vergnügte Ruh, beliebte Seelenlust
03. Vergnügte Ruh, beliebte Seelenlust, BWV 170: Die Welt, das Sündenhaus
04. Vergnügte Ruh, beliebte Seelenlust, BWV 170: Wie jammern mich doch die verkehrten Herzen
05. Vergnügte Ruh, beliebte Seelenlust, BWV 170: Wer sollte sich demnach
06. Vergnügte Ruh, beliebte Seelenlust, BWV 170: Mir ekelt mehr zu leben
07. Ye Sacred Muses
08. Cantata, BWV 82: Ich habe genug
09. Cantata, BWV 82: Ich habe genug! Mein Trost ist nur allein
10. Cantata, BWV 82: Schlummert ein, ihr matten Augen
11. Cantata, BWV 82: Mein Gott! Wann kömmt das schöne
12. Cantata, BWV 82: Ich freue mich auf meinen Tod
In this album, the cantatas BWV 170 and BWV 82 are hailed by two transcriptions: two polyphonic works by Josquin Desprez and William Byrd appear here in the manner of two ancient Bach “faces”. Heaven appears here as a territory of inspiration, a realm of Contented peace, beloved delight of the soul (BWV 170). These four works reflect in one inspirational mirror: the topic of the final departure and the farewell to the departed Master. This vision of the Hereafter provides a space of harmony in which both cantatas connect, as an echo of the mysterious scene of the presentation of Jesus in the temple. Bach Mirror does not address a particular type of audience. Together with Orchestre Musique des Lumières and IBS Classical, we aimed to renew our own views on diferent landscapes of the “grand répertoire”. Our reading simply intends to appeal to any curious music lover.
Year 2017 | Classical | FLAC / APE | HD & Vinyl
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