VA - Mayer: Symphony No. 4, Piano Concerto, String Quartet & Piano Sonata (2018)
BAND/ARTIST: Various Artist
- Title: Mayer: Symphony No. 4, Piano Concerto, String Quartet & Piano Sonata
- Year Of Release: 2018
- Label: CapriccioNR
- Genre: Classical
- Quality: flac lossless
- Total Time: 02:11:27
- Total Size: 531 mb
- WebSite: Album Preview
Tracklist
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CD1
01. Symphony No. 4 in B Minor (Reconstructed by S. Malzew): I. Allegro appassionato
02. Symphony No. 4 in B Minor (Reconstructed by S. Malzew): II. Adagio
03. Symphony No. 4 in B Minor (Reconstructed by S. Malzew): III. Allegro
04. Symphony No. 4 in B Minor (Reconstructed by S. Malzew): IV. Presto
05. Piano Concerto in B-Flat Major: I. (Allegro)
06. Piano Concerto in B-Flat Major: II. Un poco adagio
07. Piano Concerto in B-Flat Major: III. Allegro
CD2
01. String Quartet in G Minor, Op. 14: I. Allegro appassionato
02. String Quartet in G Minor, Op. 14: II. Scherzo. Allegro assai
03. String Quartet in G Minor, Op. 14: III. Adagio con molta espressione
04. String Quartet in G Minor, Op. 14: IV. Finale. Allegro molto
05. Piano Sonata in D Minor: I. Allegro
06. Piano Sonata in D Minor: II. Scherzo
07. Piano Sonata in D Minor: III. Un poco adagio
08. Piano Sonata in D Minor: IV. Allegro animato
09. Salon Pieces, Op. 30: Tonwellen
10. Marcia in A Major
Miss E. Mayer is a rare phenomenon… Here we have a female composer writing not merely for the pianoforte, but also tackling the difficult task of orchestral composition with all its numerous intricacies. And how she succeeds!' - Neue Berliner Musikzeitung, 1878. In German-speaking regions, it was Clara Schumann and Fanny Hensel who established themselves as composers of significance. At the turn of the 20th century, it was Amy Beach in the USA and, even more so, Ethel Smyth in Great Britain who became icons of the women’s movement in music. Still to be recognised is the music of the German Romantic Emilie Mayer. At the age of five, she was already receiving piano lessons; by the early 1840s none other than Carl Loewe in Stettin was her teacher. Her works are cast in familiar classical forms, but with a sustained focus on colour and innovative turns, making her one of the most important female representatives of central European music in the 19th century.
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CD1
01. Symphony No. 4 in B Minor (Reconstructed by S. Malzew): I. Allegro appassionato
02. Symphony No. 4 in B Minor (Reconstructed by S. Malzew): II. Adagio
03. Symphony No. 4 in B Minor (Reconstructed by S. Malzew): III. Allegro
04. Symphony No. 4 in B Minor (Reconstructed by S. Malzew): IV. Presto
05. Piano Concerto in B-Flat Major: I. (Allegro)
06. Piano Concerto in B-Flat Major: II. Un poco adagio
07. Piano Concerto in B-Flat Major: III. Allegro
CD2
01. String Quartet in G Minor, Op. 14: I. Allegro appassionato
02. String Quartet in G Minor, Op. 14: II. Scherzo. Allegro assai
03. String Quartet in G Minor, Op. 14: III. Adagio con molta espressione
04. String Quartet in G Minor, Op. 14: IV. Finale. Allegro molto
05. Piano Sonata in D Minor: I. Allegro
06. Piano Sonata in D Minor: II. Scherzo
07. Piano Sonata in D Minor: III. Un poco adagio
08. Piano Sonata in D Minor: IV. Allegro animato
09. Salon Pieces, Op. 30: Tonwellen
10. Marcia in A Major
Miss E. Mayer is a rare phenomenon… Here we have a female composer writing not merely for the pianoforte, but also tackling the difficult task of orchestral composition with all its numerous intricacies. And how she succeeds!' - Neue Berliner Musikzeitung, 1878. In German-speaking regions, it was Clara Schumann and Fanny Hensel who established themselves as composers of significance. At the turn of the 20th century, it was Amy Beach in the USA and, even more so, Ethel Smyth in Great Britain who became icons of the women’s movement in music. Still to be recognised is the music of the German Romantic Emilie Mayer. At the age of five, she was already receiving piano lessons; by the early 1840s none other than Carl Loewe in Stettin was her teacher. Her works are cast in familiar classical forms, but with a sustained focus on colour and innovative turns, making her one of the most important female representatives of central European music in the 19th century.
Year 2018 | Classical | FLAC / APE
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