Fats Waller and His Rhythm - The Early Years (1934-1936)

This two-CD set has the first 42 recordings of Fats Waller with his Rhythm. The brilliant stride pianist/vocalist/ composer/personality became very popular due to these 1934-35 recordings which feature either Herman Autrey or Bill Coleman on trumpet, Gene Sedric, Ben Whitted, Mezz Mezzrow or Rudy Powell on reeds, guitarist Al Casey and a rhythm section. All of Waller's Victor recordings have been reissued on CD and this two-fer (which includes such memorable numbers as "A Porter's Love Song to a Chambermaid," "Serenade for a Wealthy Widow," "How Can You Face Me," "Honeysuckle Rose," "Believe It, Beloved," "I Ain't Got Nobody," "Oh Suzannah Dust Off That Old Pianna" and "You've Been Taking Lessons in Love") is a perfect place to start.

The second in a series of five CD packages that reissue all of Fats Waller's Victor recordings with his Rhythm, this two-CD set traces the pianist/composer/ vocalist/personality's career during a nine-month period. Among the sidemen are trumpeter Herman Autrey and either Rudy Powell or Gene Sedric on reeds; highlights include the hit version of "I'm Gonna Sit Right Down and Write Myself a Letter," a rambunctious "There'll Be Some Changes Made," "Truckin '," "Got a Bran' New Suit" and four performances from a big-band session. All of the Waller Victor recordings are full of joy and infectious swing.

With the release of this two-CD set in 1997, it became possible for the first time ever to easily acquire all of pianist/composer/vocalist Fats Waller's Rhythm recordings of 1934-43. They are available in their entirety on three double-disc and three triple-disc sets, 15 discs in all. The 41 selections on this set feature Waller with trumpeter Herman Autrey, Gene Sedric on clarinet and tenor, guitarist Al Casey, bassist Charles Turner and either Yank Porter or Slick Jones on drums. The rarest performance ("Stay") has Elizabeth Handy (W.C.'s daughter) joining Fats for a duet vocal, and there are also five alternate takes (all previously released) of various tunes. This hard-swinging music is quite enjoyable (especially in small doses), with the most memorable selections including "All My Life," "Christopher Columbus" (with its hilarious lyrics), "Black Raspberry Jam," "Fractious Fingering," two run-throughs on "The Curse of an Aching Heart," the jubilant "Floatin' Down to Cotton Town," and two classic versions of "Swingin' Them Jingle Bells." This music is impossible not to like, and, as is always true of Fats Waller, it is touched with genius.