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Fabio Biondi & Giangiacomo Pinardi - Paganini: Sonatas for Violin & Guitar (2018) [Hi-Res]

Fabio Biondi & Giangiacomo Pinardi - Paganini: Sonatas for Violin & Guitar (2018) [Hi-Res]
  • Title: Paganini: Sonatas for Violin & Guitar
  • Year Of Release: 2018
  • Label: Glossa
  • Genre: Classical
  • Quality: FLAC (tracks, booklet) [88.2kHz/24bit]
  • Total Time: 66:20
  • Total Size: 1.13 GB
  • WebSite:
Tracklist:

Niccolò Paganini (1782 - 1840)

Centone di sonate, Op. 64, MS 112, Sonata No. 6 in A Major:
I. Larghetto cantabile
II. Rondo. Allegro assai

Centone di sonate, Op. 64, MS 112, Sonata No. 12 in D Major:
I. Andante cantabile
II. Rondo. Allegretto

Sonata concertata in A Major, Op. 61, MS 2:
I. Allegro spiritoso
II. Adagio assai espressivo
III. Allegretto con brio, scherzando

Centone di sonate, Op. 64, MS 112, Sonata No. 14 in G Major:
I. Andante - Adagietto
II. Rondo. Allegro molto vivace

Centone di sonate, Op. 64, MS 112, Sonata No. 2 in D Major:
I. Adagio cantabile
II. Rondoncino andantino - Tempo di polacca

Centone di sonate, Op. 64, MS 112, Sonata No. 7 in F Major:
I. Allegro giusto
II. Polacca. Andantino allegretto

Sonata for Violin & Guitar in A Minor, Op. 3 No. 4, MS 27:
I. Andante largo
II. Allegretto motteggiando

Performers:

Fabio Biondi, violin
Giangiacomo Pinardi, romantic guitar

Fabio Biondi has chosen a selection of delightful virtuoso chamber music pieces by Niccolò Paganini to mark his tenth album for Glossa. Together with his long-term colleague from Europa Galante, the plucked-string specialist Giangiacomo Pinardi (here playing an original romantic guitar from c1825), Biondi delivers one of the most special Glossa albums of recent times. The works, composed between 1804 and c1828, are mainly two-movement sonatas contained in the Centone di sonate collection, although the album also includes the popular Sonata concertata in A major.

Recorded in Valencia by the engineer and producer Fabio Framba (another well-known component of Biondi’s recording setups), the booklet of this album includes a highly original essay signed by Pierre Élie Mamou, in which he looks into the Devil/God dichotomy as applied to the figure of Paganini by his own contemporaries. The graphic design for the CD takes its inspiration from this idea, for another typically Glossa look, listen and read experience...

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