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Liars - Titles With The Word Fountain (TFCF Deluxe Edition) (2018)

Liars - Titles With The Word Fountain (TFCF Deluxe Edition) (2018)

BAND/ARTIST: Liars

  • Title: Titles With The Word Fountain (TFCF Deluxe Edition)
  • Year Of Release: 2018
  • Label: Mute
  • Genre: Experimental, Post-Punk, Indie Rock
  • Quality: Mp3 320 kbps / FLAC (tracks)
  • Total Time: 01:18:44
  • Total Size: 195 / 501 MB
  • WebSite:
Tracklist:

CD1
1. 97 Tears 50
2. Face In Ski Mask Bodies To The Wind 02:06
3. Murdrum 03:05
4. Pure Context 58
5. Double Elegy 02:05
6. Left's Got A Power Right Hasn’t 01:22
7. Past Future Split 01:50
8. P/A\M 01:35
9. Fantail Creeps 01:01
10. Perky Cut 02:39
11. Feed The Truth 03:35
12. Gawking At The Accident 01:50
13. Absence Blooms 02:25
14. Extracts From Seated Sequence 01:53
15. On Giving Up 02:31
16. Sound Of Burning Rubbish 03:27
17. A Kind Of Stopwatch 03:45

CD2
1. The Grand Delusional 03:35
2. Cliché Suite 03:36
3. Staring at Zero 02:34
4. No Help Pamphlet 03:26
5. Face to Face With My Face 04:25
6. Emblems of Another Story 04:48
7. No Tree No Branch 03:31
8. Cred Woes 03:46
9. Coins in My Caged Fist 03:19
10. Ripe Ripe Rot 02:45
11. Crying Fountain 02:05
12. No Help Pamphlet (The Alpha Ceti Orchestra Remix) [Remix] 03:57

TWTWF (Titles With The Word Fountain) is a physical companion piece to Liars’ 2017 release, TFCF (Themes From Crying Fountain) and contains 37 minutes of new music. The tracks will be available digitally as part of a TFCF deluxe edition. On the release, Liar’s Angus Andrew says “TWTWF was recorded during the same sessions as TFCF but I don’t regard it as a collection of leftover material. To me it’s more like a sequel. I chose the songs that appear on TFCF based on how well they addressed the trauma of a failed creative relationship. The material on TWTWF is more playful despite revolving around the same sentiments. There was a lot of pressure in producing TFCF as it was guaranteed to be framed by the lack of band members. I was aware that I was creating an explanation/album which required a certain awareness of the audience that was new to me. With TWTWF I felt stripped of that burden and more free to include work that could be construed as unclear or abstract.”




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