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Mariss Jansons - Tschaikowsky: Pique Dame (2015)

Mariss Jansons - Tschaikowsky: Pique Dame (2015)

BAND/ARTIST: Mariss Jansons

  • Title: Tschaikowsky: Pique Dame
  • Year Of Release: 2015
  • Label: BR Klassik
  • Genre: Classical
  • Quality: FLAC (image + .cue, log, scans)
  • Total Time: 02:48:38
  • Total Size: 800 MB
  • WebSite:
Tracklist:

CD 1
1. Prelude
Act I:
2. Scene 1: Gori, gori yasno
3. Scene 1: Chem konchilas vchera igra - Ya imeni yeyo ne znayu - A yesli tak, skorei za delo!
4. Scene 1: Nakonets - to Bog - A ty uveren - Schastlivy den - Skazhi, na kom ty zhenishsya
5. Scene 1: Mne strashno!
6. Scene 1: Kakaya vedma - Odnazhdy v Versalye
7. Scene 1: Ikh smelo postaviv
8. Scene 2: Uzh vecher
9. Scene 2: Obvorozhitelno! - Da, vspomnila… - Nu - ka, svetik Mashenka
10. Scene 2: Mesdemoiselles
11. Scene 2: Pora uzh raskhoditsya

CD 2
Act II:
1. Scene 3: Entr'acte - Radostno, veselo v den sei
2. Scene 3: Khozyain prosit dorogikh - Ya vas lyublyu
3. Scene 3: Posle predstavleniya
4. Scene 3: Khozyain prosit dorogikh gostei
5. Scene 3: Moi milenki druzhok
6. Scene 3: Kak ty mila
7. Scene 3: Kto pylko i strastno lyubya!
8. Scene 4: Vsyo tak, kak mne ona skazala - Shagi! Syuda idut - Polno vrat vam! Nadoyeli! - Je crains de lui parler la nuit
9. Scene 4: Ne pugaites! - Ona mertva! Sbylos

CD 3
Act III:
1. Scene 5: Entr'acte - Ya neveryu chtoby
2. Scene 5: Mne strashno! Strashno! - Ya prishla k tebe
3. Scene 6: Uzh polnoch blizitsya - Akh! Istomilas ya gorem
4. Scene 6: A yesli mne v otvet - O da, minovali stradanya
5. Scene 7: Budem pit i veselitsya!
6. Scene 7: Yeslib miliya devitsy - Tak v nenastnye dni
7. Scene 7: Za dela, gospoda

Hearing as refined and lustrous an orchestra as the Bavarian Radio Symphony Orchestra play Tchaikovsky's magnificent score is a treat in itself. The recording is taken from a series of semi-staged performances of The Queen of Spades that Mariss Jansons conducted in the Munich Gasteig last October. The cast is an entirely Russian-speaking one, but it's certainly a bit of a mixed bag. There is sometimes a pinched quality in the upper registers of Misha Didyk s Hermann, though his confrontation with Larissa Diadkova's terrific Countess (beautifully paced and detailed by Jansons), is impressive and never topples over into hysteria; Tatiana Serjan's Lisa seems rather hard-boiled and squally. The best of the rest is Alexey Markov as Yeletsky, who sings his great second-act aria with just the right mix of ardour and honour. But uniformly convincing recordings of the last of Tchaikovsky's Pushkin operas are few and far between, and the pluses definitely outweigh the minuses in this one. **** -- Guardian, 10/9/15


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