Luca Pianca & Barbara Zanichelli - Venite amanti, Frottole & Madrigals from the Italian Renaissance (2018)
BAND/ARTIST: Luca Pianca, Barbara Zanichelli
- Title: Venite amanti, Frottole & Madrigals from the Italian Renaissance
- Year Of Release: 2018
- Label: Stradivarius
- Genre: Classical
- Quality: flac lossless
- Total Time: 00:50:43
- Total Size: 201 mb
- WebSite: Album Preview
Tracklist
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01. Ostinato vò seguire
02. Quando andaratu al monte
03. Allala la pia calia
04. Io mi pensai
05. A la guerra a la guerra
06. Venite amanti
07. Chi non sa, chi non intende
08. O triumphale diamante
09. O bon, egli è bon
10. Se mai per maraveglia
11. Oimè il cor aime la testa
12. Non è tempo d'aspectare
13. Madonna io sol vorrei
14. Hor vendut'ho la speranza
15. Madonna qual certezza
16. Voi che passate qui firmate il passo
The frottola genre derived from the oral tradition of executing variations on existing melodies. Above all they were compositions with several strophes and gradually became a cultivated practice, as it was linked to the virtuoso capacities of singers and 'cantori al liuto (singing lutenists). It came to be expressed in three- or four-part compositions where the first part stood out: it carried the melody and its variations, with as counterpoint a tenor, still quite melodic, a supporting bassus and altus, and the least cantabile of all the voices, which interplayed with the tenor. Barbara Zanichelli was born in Parma, where she earned her diploma at the conservatory in violin before going on to study voice with the Russian teacher Anatoli Goussev in Milan. She furthered her studies of performance practice in baroque music with Cristina Miatello, Claudine Answermet and Roberto Gini. She is joined here by Italian-Swiss lutenist Luca Pianca, who has been championing his instrument since the early 1980s.
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01. Ostinato vò seguire
02. Quando andaratu al monte
03. Allala la pia calia
04. Io mi pensai
05. A la guerra a la guerra
06. Venite amanti
07. Chi non sa, chi non intende
08. O triumphale diamante
09. O bon, egli è bon
10. Se mai per maraveglia
11. Oimè il cor aime la testa
12. Non è tempo d'aspectare
13. Madonna io sol vorrei
14. Hor vendut'ho la speranza
15. Madonna qual certezza
16. Voi che passate qui firmate il passo
The frottola genre derived from the oral tradition of executing variations on existing melodies. Above all they were compositions with several strophes and gradually became a cultivated practice, as it was linked to the virtuoso capacities of singers and 'cantori al liuto (singing lutenists). It came to be expressed in three- or four-part compositions where the first part stood out: it carried the melody and its variations, with as counterpoint a tenor, still quite melodic, a supporting bassus and altus, and the least cantabile of all the voices, which interplayed with the tenor. Barbara Zanichelli was born in Parma, where she earned her diploma at the conservatory in violin before going on to study voice with the Russian teacher Anatoli Goussev in Milan. She furthered her studies of performance practice in baroque music with Cristina Miatello, Claudine Answermet and Roberto Gini. She is joined here by Italian-Swiss lutenist Luca Pianca, who has been championing his instrument since the early 1980s.
Year 2018 | Classical | FLAC / APE
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