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Jean-Efflam Bavouzet - Haydn: Piano Sonatas, Vol. 7 (2018)

Jean-Efflam Bavouzet - Haydn: Piano Sonatas, Vol. 7 (2018)
  • Title: Haydn: Piano Sonatas, Vol. 7
  • Year Of Release: 2018
  • Label: Chandos
  • Genre: Classical
  • Quality: FLAC (tracks+booklet)
  • Total Time: 72:30
  • Total Size: 224 MB
  • WebSite:
Tracklist:

1. Piano Sonata (Divertimento) No. 8 in A Major, Hob. XVI:5 : I. Allegro 05:33
2. Piano Sonata (Divertimento) No. 8 in A Major, Hob. XVI:5 : II. Menuet - Trio 03:03
3. Piano Sonata (Divertimento) No. 8 in A Major, Hob. XVI:5 : III. Presto 03:40
4. Piano Sonata No. 46 in E Major, Hob. XVI:31 : I. Moderato 06:43
5. Piano Sonata No. 46 in E Major, Hob. XVI:31 : II. Allegretto 02:36
6. Piano Sonata No. 46 in E Major, Hob. XVI:31 : III. Finale: Presto 02:28
7. Piano Sonata (Partita) No. 13 in G Major, Hob. XVI:6 : I. Allegro 05:17
8. Piano Sonata (Partita) No. 13 in G Major, Hob. XVI:6 : II. Menuet - Trio 04:03
9. Piano Sonata (Partita) No. 13 in G Major, Hob. XVI:6 : III. Adagio 04:42
10. Piano Sonata (Partita) No. 13 in G Major, Hob. XVI:6 : IV. Finale: Allegro molto 02:40
11. Piano Sonata No. 57 in F Major, Hob. XVI:47 : I. Moderato 08:02
12. Piano Sonata No. 57 in F Major, Hob. XVI:47 : II. Larghetto - 06:18
13. Piano Sonata No. 57 in F Major, Hob. XVI:47 : III. Allegro 05:00
14. Piano Sonata No. 58 in C Major, Hob. XVI:48 : I. Andante con espressione 08:21
15. Piano Sonata No. 58 in C Major, Hob. XVI:48 : II. Rondo: Presto 04:04

Alongside an internationally acclaimed celebration of Debussy’s centenary, Jean-Efflam Bavouzet continues his sumptuous journey through Haydn, the instalments consistently praised for their intelligent approach and clear and vivid interpretations. Recorded on a modern Yamaha CFX in the warm acoustic of Potton Hall in Suffolk, the series has now reached Volume 7, which showcases several rarely heard sonatas, some of which have been considered of dubious authenticity or outrightapocryphal. With the exception of No. 13 (Hob. XVI: 6), absolutely and unarguably authentic, these sonatas survive only in the form of copies, and to establish a chronology is difficult, even impossible. But through Jean-Efflam Bavouzet’s playing, all these pieces are revealed in their purest essence and diversity, from the energetic, witty, and ironic to the graceful, tender, and intimate.

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