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Don Henley - The End Of The Innocence (1989)

Don Henley - The End Of The Innocence (1989)

BAND/ARTIST: Don Henley

  • Title: The End Of The Innocence
  • Year Of Release: 1989
  • Label: Geffen Records: 9 24217-2
  • Genre: Rock
  • Quality: FLAC (image+.cue,log,scans) / 320 kbps
  • Total Time: 00:53:22
  • Total Size: 363/151 MB
  • WebSite:
Tracklist:

01. The End of the Innocence (Henley, Bruce Hornsby) 05:18
02. How Bad Do You Want It? (Henley, Danny Kortchmar, Stan Lynch) 03:48
03. I Will Not Go Quietly (Henley, Kortchmar) 05:44
04. The Last Worthless Evening (John Corey, Henley, Lynch) 06:04
05. New York Minute (Henley, Kortchmar, Jai Winding) 06:36
06. Shangri-La (Henley, Steve Jordan, Kortchmar) 04:57
07. Little Tin God (Henley, Kortchmar, J.D. Souther) 04:44
08. Gimme What You Got (Corey, Henley, Lynch) 06:14
09. If Dirt Were Dollars (Henley, Kortchmar, Souther) 04:35
10. The Heart of the Matter (Mike Campbell, Henley, Souther) 05:23

Don Henley – drums, vocals, background vocals, harmony vocals
Timothy Drury – keyboards, background vocals, harmony vocals
Edie Brickell – background vocals, harmony vocals on "Gimme What You Got"
Mike Campbell – guitar, keyboards on "The Last Worthless Evening" and "The Heart of the Matter"
Valerie Carter – background vocals, harmony vocals on "How Bad Do You Want It?"
John Corey – guitar, keyboards on "The Last Worthless Evening"
Sheryl Crow – background vocals on "If Dirt Were Dollars"
Charley Drayton – background vocals, harmony vocals on "Shangri-La"
Melissa Etheridge – background vocals, harmony vocals on "Gimme What You Got"
Michael G. Fisher – percussion on "The End of the Innocence"
Bob Glaub – bass on "The Last Worthless Evening"
Bruce Hornsby – piano, keyboards on "The End of the Innocence"
Stanley Jordan – guitar, drums, background vocals, harmony vocals
Steve Jordan – drums, electric guitar, background vocals, harmony vocals, wah wah guitar on "Shangri-La"
Jim Keltner – percussion, drums on "Shangri-La"
Larry Klein – bass on "The Heart of the Matter"
Danny "Kootch" Kortchmar – guitar, keyboards
Stan Lynch – percussion, drums
Steve Madaio – trumpet on "New York Minute"
Ivan Neville – background vocals, harmony vocals on "Shangri-La"
David Paich – piano, strings, keyboards on "New York Minute" and "Little Tin God"
Pino Palladino – bass on "New York Minute," "Shangri-La," and "Little Tin God"
Jeff Porcaro – drums on "New York Minute"
Axl Rose – background vocals, harmony vocals on "I Will Not Go Quietly"
Wayne Shorter – soprano saxophone on "The End of the Innocence"
Patty Smyth – background vocals, harmony vocals on "How Bad Do You Want It?"
J.D. Souther – background vocals on "If Dirt Were Dollars"
Take 6 – background vocals, harmony vocals on "Shangri-La"
Carmen Twillie – background vocals, harmony vocals on "The Heart of the Matter"
Waddy Wachtel – acoustic guitar on "I Will Not Go Quietly"
Julia Waters – background vocals, harmony vocals on "The Heart of the Matter"
Maxine Waters – background vocals, harmony vocals on "The Heart of the Matter"
Jai Winding – keyboards, keyboard bass on "The End of the Innocence," "New York Minute," and "Shangri-La"


Don Henley took some time before completing his highly anticipated third album, The End of the Innocence. Although he manages to duplicate much of the magic of his previous album, Henley has backed off of the synthesizers and expanded his musical palette. He uses background vocals to great effect, whether it's the tragic ballad "New York Minute" (with vocal group Take 6) or the angry rocker "I Will Not Go Quietly" (with Axl Rose of Guns N' Roses). His collaboration with Bruce Hornsby on the opening title track show a mature Henley singing about disillusionment over a beautiful piano riff that gives the song a timeless air of nostalgia. While he still tackles political issues and writes about small-town life in America, Henley also mixes in romantic ballads, including the closer "Heart of the Matter." In this epic song, Henley explores the emotional complexity of relationships and coming to terms with oneself during the aftermath. Throughout the album, he manages to balance being cynical yet hopeful, and his great melodies allow his poignant lyrics to penetrate. This album is highly recommended for those who like their pop music with a message.


Don Henley - The End Of The Innocence (1989)

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