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Jan Jelinek & Computer Soup - Improvisations And Edits, Tokyo 26.09.2001 (2018/2002)

Jan Jelinek & Computer Soup - Improvisations And Edits, Tokyo 26.09.2001 (2018/2002)
  • Title: Improvisations And Edits, Tokyo 26.09.2001
  • Year Of Release: 2018/2002
  • Label: Faitiche Germany – FAITBACK 10
  • Genre: Glitch, Experimental, Minimal
  • Quality: lossless (tracks)
  • Total Time: 44:41
  • Total Size: 232 mb
  • WebSite:
Tracklist
1. Straight Life (07:14)
2. Ballads (05:27)
3. Hot Barbecue (05:23)
4. Barbecue's Version (03:15)
5. The New Anthem (07:23)
6. Watch What Happens (06:12)
7. The Post-Anthem (04:18)
8. (Hidden Track) (05:29)


Faitiche is happy to be releasing the album Improvisations And Edits, Tokyo 26.09.2001 on vinyl for the first time. For the original 2002 CD on Soup-Disk and Sub Rosa (Audiosphere), Jan Jelinek and the Japanese trio Computer Soup (Satoru Hori – trumpet, Osamu Okubo - toys & electronics, Kei Ikeda - toys & electronics) presented eight tracks all recorded one afternoon in the trio’s living room in Tokyo. They are excerpts from a joint group improvisation that subsequently underwent rudimentary editing, on which Jelinek and Computer Soup worked separately.

Jelinek met the three musicians at his first concert in Japan in 2001, at Tokyo’s Yellow club, where Computer Soup performed as the support act. Delighted by their free improvisation on pocket-sized electronic toys, trumpet and oscillators, he arranged to meet Hori, Okubo and Ikeda a few days later for a session at their apartment. The resulting three-hour recording, made on their living room floor, formed the basis for Improvisations and Edits. A few days later, Jelinek returned to Berlin. Over the following months, they separately chose passages from the recording that were then edited and assembled into an album.

Formed in Tokyo in 1996 as a quintet (including Shusaku Hariya and Daisuke Oishi), Computer Soup began by performing with acoustic instruments on the streets of Shibuya. Ikeda und Okubo soon switched instruments, and from then on the group’s minimalistic but densely woven sound was defined by electronic toys, oscillators and Satoru Hori’s trumpet. Their first album was released in 1997 on the Japanese label Soup Disk. Eight further releases followed.





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