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Leila Schayegh - Myslivecek: Violin Concertos and Sinfonia & Ouverture (2018)

Leila Schayegh - Myslivecek: Violin Concertos and Sinfonia & Ouverture (2018)
  • Title: Myslivecek: Violin Concertos and Sinfonia & Ouverture
  • Year Of Release: 2018
  • Label: Accent
  • Genre: Classical
  • Quality: FLAC (tracks+booklet)
  • Total Time: 73:28
  • Total Size: 363 MB
  • WebSite:
Tracklist:

1. Leila Schayegh - Violin Concerto in D Major: I. Allegro
2. Leila Schayegh - Violin Concerto in D Major: II. Larghetto
3. Leila Schayegh - Violin Concerto in D Major: III. Allegro
4. Collegium 1704 - Symphony in E-Flat Major: I. Spiritoso
5. Collegium 1704 - Symphony in E-Flat Major: II. Andantino
6. Collegium 1704 - Symphony in E-Flat Major: III. —
7. Leila Schayegh - Violin Concerto in E Major: I. —
8. Leila Schayegh - Violin Concerto in E Major: II. —
9. Leila Schayegh - Violin Concerto in E Major: III. Presto
10. Collegium 1704 - Overture No. 2 in A Major: I. Allegro con brio
11. Collegium 1704 - Overture No. 2 in A Major: II. Andante
12. Collegium 1704 - Overture No. 2 in A Major: III. Allegro
13. Leila Schayegh - Violin Concerto in A Major: I. Allegro moderato
14. Leila Schayegh - Violin Concerto in A Major: II. —
15. Leila Schayegh - Violin Concerto in A Major: III. Presto

Josef Myslivecek (1737-1781) also known as Il Divino Boemo (The Divine Bohemian) was one of the most celebrated opera composers in Italy in the 1770s. His instrumental works - symphonies, concertos, octets, quartets, and trios - were as popular as his vocal music. Certain features of his melodic style reflect his Bohemian origins, and Myslivecek's influence on contemporaries was significant. A close friend of the young W. A. Mozart and a musical influence on him, Mozart described his character as "full of fire, spirit and life."

All nine of the Mysliveček violin concertos that survive in complete form were probably written in a short period during the late 1760s and early 1770s when the composer maintained close contacts with the city of Padua and the composer and violinist Giuseppe Tartini. As a representative of Italian traditions that extended back to the early eighteenth century, Myslivecek’s violin concertos are all cast in three movements of the pattern ‘fast-slow-fast’.

“From this music one can hear that the author was also a superb opera composer: the quickly alternating themes are well defined in character, whether sounding serious or boisterous, pleading or alluring, questioning or majestic, friendly or imperious. Figuratively, we find ourselves on the opera stage.” (Leila Schayegh)


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  • User offline
  • platico
  •  wrote in 01:01
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gracias...
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  • gemofroe
  •  wrote in 08:26
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thanks a lot