Sebastian Noack & Manuel Lange - Hans Sommer: Ballads & Romances (2018) [Hi-Res]
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BAND/ARTIST: Sebastian Noack, Manuel Lange
- Title: Hans Sommer: Ballads & Romances
- Year Of Release: 2018
- Label: CAvi-music
- Genre: Classical
- Quality: flac lossless / flac 24bits - 48.0kHz +booklet
- Total Time: 01:04:09
- Total Size: 258 / 587 mb
- WebSite: Album Preview
Tracklist
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01. Ballads and Romances, Op. 8: I. Die Räuberbrüder
02. Ballads and Romances, Op. 8: II. Verloren
03. Ballads and Romances, Op. 8: III. Nachtwanderer
04. Ballads and Romances, Op. 8: IV. Der Kühne
05. Loreley, Op. 7
06. Two Ballads by Johann Wolfgang Goethe: I. Der König von Thule
07. Two Ballads by Johann Wolfgang Goethe: II. Der Fischer
08. Ballads and Romances, Op. 11: I. Sir Aethelbert I & II
09. Ballads and Romances, Op. 11: II. Odysseus
10. Ballads and Romances, Op. 11: III. Das Lied vom Schill
11. Ballads and Romances, Op. 11: IV. Die Bernstein-Hexe
12. Jung Douglas und schön Rosabell, Op. 24
13. Die junge Königin, Op. 25
14. Jung Anne, Op. 18, No. 1
Today it has mostly been forgotten that one of the founding fathers of German music copyright, Hans Sommer, whose real name was Hans Friedrich August Zincken (1837-1922), was also a prolific composer. Although the close connection between music and the educated middle class was taken for granted, the act of composing – either as a dilettante or as a professional – was still considered a hazardous venture. Hardly anyone could devote themselves entirely to composition without additional income from performance or teaching.
Sommer took his first composition lessons in the 1850s, while studying mathematics and physics with Prof. Julius Otto Grimm in Göttingen; and then with Adolf Bernhard Marx during an extended stay in Berlin. After returning to Braunschweig (Brunswick), his home town, in the 1860s, he pursued his studies with Wilhelm Meves (1808-1871).
Finally, in 1881, at the age of 47, Sommer withdrew into a more private existence to devote himself entirely to his musical inclinations – thereby abandoning his established scientific career (for instance, he had worked for the renowned Voigtländer camera firm).
Music history was in clear upheaval. Historiographers tend to depict the blossoming of different styles by selecting certain composers or ‘schools’, but many more musical trends existed than we are aware of today…..(excerpt from the liner notes by Jürgen Schaarwächter)
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01. Ballads and Romances, Op. 8: I. Die Räuberbrüder
02. Ballads and Romances, Op. 8: II. Verloren
03. Ballads and Romances, Op. 8: III. Nachtwanderer
04. Ballads and Romances, Op. 8: IV. Der Kühne
05. Loreley, Op. 7
06. Two Ballads by Johann Wolfgang Goethe: I. Der König von Thule
07. Two Ballads by Johann Wolfgang Goethe: II. Der Fischer
08. Ballads and Romances, Op. 11: I. Sir Aethelbert I & II
09. Ballads and Romances, Op. 11: II. Odysseus
10. Ballads and Romances, Op. 11: III. Das Lied vom Schill
11. Ballads and Romances, Op. 11: IV. Die Bernstein-Hexe
12. Jung Douglas und schön Rosabell, Op. 24
13. Die junge Königin, Op. 25
14. Jung Anne, Op. 18, No. 1
Today it has mostly been forgotten that one of the founding fathers of German music copyright, Hans Sommer, whose real name was Hans Friedrich August Zincken (1837-1922), was also a prolific composer. Although the close connection between music and the educated middle class was taken for granted, the act of composing – either as a dilettante or as a professional – was still considered a hazardous venture. Hardly anyone could devote themselves entirely to composition without additional income from performance or teaching.
Sommer took his first composition lessons in the 1850s, while studying mathematics and physics with Prof. Julius Otto Grimm in Göttingen; and then with Adolf Bernhard Marx during an extended stay in Berlin. After returning to Braunschweig (Brunswick), his home town, in the 1860s, he pursued his studies with Wilhelm Meves (1808-1871).
Finally, in 1881, at the age of 47, Sommer withdrew into a more private existence to devote himself entirely to his musical inclinations – thereby abandoning his established scientific career (for instance, he had worked for the renowned Voigtländer camera firm).
Music history was in clear upheaval. Historiographers tend to depict the blossoming of different styles by selecting certain composers or ‘schools’, but many more musical trends existed than we are aware of today…..(excerpt from the liner notes by Jürgen Schaarwächter)
Year 2018 | Classical | FLAC / APE | HD & Vinyl
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