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Anna Prohaska, Il Giardino Armonico & Giovanni Antonini - Serpent & Fire: Arias for Dido & Cleopatra (2016) [Hi-Res]

Anna Prohaska, Il Giardino Armonico & Giovanni Antonini - Serpent & Fire: Arias for Dido & Cleopatra (2016) [Hi-Res]
  • Title: Serpent & Fire: Arias for Dido & Cleopatra
  • Year Of Release: 2016
  • Label: Alpha
  • Genre: Classical
  • Quality: flac 24bits - 48.0kHz +booklet
  • Total Time: 01:10:11
  • Total Size: 716 mb
  • WebSite:
Tracklist
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01. Dido and Aeneas, Z. 626: Overture
02. Dido and Aeneas, Z. 626, Act I: Aria "Ah! Belinda, I Am Press'd with Torment"
03. Dido, Königin von Karthago: Aria "Holdestes Lispeln der spielenden Fluthen"
04. Giulio Cesare in Egitto: Aria "Non voglio amar"
05. The Tempest, the Second Musick: Lilk
06. The Tempest, the Second Musick: Curtain Tune
07. La Cleopatra: Aria "A dio regni, a dio scettri"
08. Giulio Cesare in Egitto: Aria "Quando voglio"
09. The Tempest, the First Musick: Galliard
10. The Fairy Queen, Z. 629: Chaconne "Dance for the Chinese Man and Woman"
11. Dido, Königin von Karthago: Recitativo accompagnato "Der Himmel..."
12. Dido, Königin von Karthago: Aria "Infido cupido"
13. Dido, Königin von Karthago: Aria "Agitato da tempeste"
14. Giulio Cesare in Egitto, HWV 17, Act II: Recitativo accompagnato "Che sento? O dio!"
15. Giulio Cesare in Egitto, HWV 17, Act II: Aria "Se pieta di me non senti"
16. Didone abbandonata: Aria "Già si desta la tempesta"
17. Sonate concertate in stil moderno, libro secondo: Sonata decimaquinta a quattro
18. Didone, Act II Scene 2: Recitativo & Aria "Re de'Getuli altero"
19. Marc'Antonio e Cleopatra: Aria "Morte col fiero aspetto"
20. Passacaille del seigneur Louigi
21. Dido and Aeneas, Z. 626, Act II: Aria "Oft She Visits This Lone Mountain"
22. Dido and Aeneas, Z. 626, Act III: "Thy Hand, Belinda...When I Am Laid in Earth"

The German soprano Anna Prohaska joins Alpha Classics for several recording projects. Her first recital brings together two superb African queens – Dido and Cleopatra – and follows them all over Europe during the first century of opera, from the 1640s to 1740. A firework display of arias, virtuosic and tragic by turns, written by the leading personalities of Baroque music (Cavalli, Handel, Purcell, Hasse) and composers still awaiting rediscovery such as Sartorio, Graupner and the Venetian Castrovillari. For this programme built like a tragedy around the queens of Egypt and Carthage, whom she interprets with the passion and fervour that have made her reputation, Anna Prohaska is accompanied by one of today’s finest Baroque ensembles, Il Giardino Armonico; under the inspired guidance of their director Giovanni Antonini (who is also a dazzling recorder soloist in some of the arias), they keep us on the edge of our seats from start to finish.

A top star in Germany, Anna Prohaska also sings on the world’s leading operatic stages, from La Scala to Covent Garden by way of Aix-en-Provence and Salzburg.



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  • olga1001
  •  wrote in 10:54
    • Like
    • 1
Thanks for 24-48.
My 16-44.1 is not in use anymore.
She sings as if actress