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Aldo Ciccolini, Orchestre de la Société des Concerts du Conservatoire & André Cluytens - Tchaikovsky: Concerto No. 1, Op. 23 (Mono Version) (2014) [Hi-Res]

Aldo Ciccolini, Orchestre de la Société des Concerts du Conservatoire & André Cluytens - Tchaikovsky: Concerto No. 1, Op. 23 (Mono Version) (2014) [Hi-Res]
  • Title: Tchaikovsky: Concerto No. 1, Op. 23 (Mono Version)
  • Year Of Release: 1952 / 2014
  • Label: BnF Collection
  • Genre: Classical
  • Quality: FLAC (tracks, booklet) [96kHz/24bit]
  • Total Time: 31:09 min
  • Total Size: 310 MB
  • WebSite:
Tracklist:

Concerto No. 1 in B-flat minor Op. 23 (1890 version)
1 I. Allegro non troppo e molto maestoso - Allegro con spirito [18:26]
2 II. Andantino semplice - Prestissimo [06:30]
3 III. Allegro con fuoco [06:14]

Performers:

Aldo Ciccolini · piano
Orchestre de la Société des Concerts du Conservatoire
André Cluytens

Pianist Aldo Ciccolini enjoyed a long and varied career, but to many music lovers his name was most readily associated with the music of Erik Satie. Ciccolini was raised in Naples, where he studied at the Conservatory under pianist Paolo Denza, himself a onetime student of Ferruccio Busoni; Ciccolini made his debut there in 1942. In 1949 Ciccolini traveled to Paris to complete in a Long-Thibault contest -- after he won first prize, Ciccolini decided to stay in Paris and continue his studies with Marguerite Long. Ciccolini made his New York debut in 1950. It was probably through Long that Ciccolini got to know the music of Satie.

Ciccolini started playing a wide range of Satie works on his programs of the 1950s, including many pieces that had been forgotten since the composer's death. This attracted attention among the musical cognoscenti in Paris, including some of the most forward-thinking musicians of the time. They recognized in Ciccolini's interpretations of Satie's works elements in keeping with current-day avant garde approaches that had been previously overlooked. Ultimately this led to a revival of Satie's music and to Ciccolini's recorded versions of it for EMI; while the earliest of these recordings proved the best sellers over time, Ciccolini recorded the entire keyboard output of Satie twice over.

It is not fair to Ciccolini's talent, however, to limit him only to Satie, even as this association is the best known in his particular case. Ciccolini also recorded the complete piano sonatas of Ludwig van Beethoven, and also performed the sonatas of Mozart and was renowned for his work with the music of French composers other than Satie, such as Chabrier, Saint-Saëns, Ravel, Debussy, and Gabriel Fauré. Ciccolini was also an expert interpreter of the music of Franz Liszt, and was equally well situated in concerto literature in addition to solo piano repertoire. Ciccolini was highly regarded as a teacher, holding a chair at the Paris Conservatoire from 1971 to 1989. In 2000 Ciccolini was named honorary president of the Associazione Musicale Aldo Ciccolini, an organization devoted to promoting the cause of cultural and musical events in his native city of Naples.


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