Blick Bassy - Discography (2008-2016)
BAND/ARTIST: Blick Bassy
- Title: Discography
- Year Of Release: 2008-2016
- Label: World Connection, No Format
- Genre: Folk, World, & Country, African
- Quality: FLAC (tracks+.cue+.log) / WEB
- Total Time: 3:03:21
- Total Size: ~1 GB
- WebSite: Album Preview
Bio
Blick Bassy's stunning and original debut for pioneering French label No Format!
Written and sung by Blick Bassy - in Bassa, one of some 260 spoken languages in Cameroon - and accompanied by a unique ensemble of guitar, banjo, cello and trombone - Afro's eleven sparklingly original tracks are a musical revelation. Remarkable then, to consider that these are recordings that were never intended for release. Bassy's original idea was to get together with the cellist Clement Petit and trombonist Fidel Foumeyron to record a few songs in homage to his longtime hero Skip James. By chance, the studio they hired was directly below the offices of N0 Format!, the innovative French label run by Laurent Bizot, who happened to hear the results of this unlikely yet inspired musical alchemy. As Laurent relates, "when I heard the first song Акё, I was stunned. It sounded like a dream, so light, a voice floating in the sky. Production was minimal but bold and the music had a feel not often heard with African songwriters. They had taken risks they probably wouldn't have done if the music was meant for release. The lack of budget, the time restraints and the restriction to three musicians has conjured something entirely unique and very fresh. Exactly what I like!"
Encouraged by Bizot to record more, the three musicians emerged from the seven-day session with the makings of an album that amounts to the most personal of Bassy's career. As with the rasping trombone that evokes the familiar whistle of a transcontinental train on Kiki, this album speaks of Bassy's separation from and connection with home. Sung in Bassa, a language and tradition that he has long championed, Bassy sings of the village he grew up in rural Cameroon - drawing connections between the itinerant musicians of his childhood with journeyman blues legend Skip James. While the influence of the Malian folk of Ali Farka Toure can be detected on Tell Me and Mama, and the complex melodic patterns betray his Cameroonian roots throughout, this is an album that makes subtle references to a musical palette that ranges from the Gypsy Swing flavours of Wap Do Wap to the sparse and haunting singer songwriter classic in the making Ndjel.
Blick Bassy's stunning and original debut for pioneering French label No Format!
Written and sung by Blick Bassy - in Bassa, one of some 260 spoken languages in Cameroon - and accompanied by a unique ensemble of guitar, banjo, cello and trombone - Afro's eleven sparklingly original tracks are a musical revelation. Remarkable then, to consider that these are recordings that were never intended for release. Bassy's original idea was to get together with the cellist Clement Petit and trombonist Fidel Foumeyron to record a few songs in homage to his longtime hero Skip James. By chance, the studio they hired was directly below the offices of N0 Format!, the innovative French label run by Laurent Bizot, who happened to hear the results of this unlikely yet inspired musical alchemy. As Laurent relates, "when I heard the first song Акё, I was stunned. It sounded like a dream, so light, a voice floating in the sky. Production was minimal but bold and the music had a feel not often heard with African songwriters. They had taken risks they probably wouldn't have done if the music was meant for release. The lack of budget, the time restraints and the restriction to three musicians has conjured something entirely unique and very fresh. Exactly what I like!"
Encouraged by Bizot to record more, the three musicians emerged from the seven-day session with the makings of an album that amounts to the most personal of Bassy's career. As with the rasping trombone that evokes the familiar whistle of a transcontinental train on Kiki, this album speaks of Bassy's separation from and connection with home. Sung in Bassa, a language and tradition that he has long championed, Bassy sings of the village he grew up in rural Cameroon - drawing connections between the itinerant musicians of his childhood with journeyman blues legend Skip James. While the influence of the Malian folk of Ali Farka Toure can be detected on Tell Me and Mama, and the complex melodic patterns betray his Cameroonian roots throughout, this is an album that makes subtle references to a musical palette that ranges from the Gypsy Swing flavours of Wap Do Wap to the sparse and haunting singer songwriter classic in the making Ndjel.
Country | Discography | World | Folk | FLAC / APE
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